Showing posts with label aswang. Show all posts
Showing posts with label aswang. Show all posts

Thursday, March 15, 2012

CORAZON: Ang Unang Aswang

IS 'CORAZON' BOUND TO BE A CLASSIC? [review]
by Reymundo Salao

CORAZON is a movie that I was hoping would be as good as YANGGAW. My initial fear was on the notion that no matter how good a director or a writer is, if it goes through studio execs and producers just like any mainstream Tagalog movie does, the original concept for the film becomes adulterated. The creative process undertaken by a writer and/or director can easily be altered by producers who are more concerned in altering the cast, creative process, and the story, without regard. And this meddling can damage the creativity of the finished product.

The movie itself is highly impressive, and if you count on a comparative scale, there are very very few Pinoy mainstream horror movies that are this good. That is why I will not be surprised if this joins the ranks of the top ten best Pinoy horror movies ever made. My judgment on it is partially on a level that considers the mass audience and was slightly adjusted to fit Pinoy cinema standards.

Tuesday, November 17, 2009

The Success of YANGGAW

The Success of YANGGAW, the Struggle of Indie Films, and the Age of Piracy
by Reymundo Salao


Yanggaw is an indie film directed by Richard Somes, funded by Cinema One, and includes Ronnie Lazaro, Tetchie Agbayani, Joel Torre, Gio Respall, Monet Gaston, and Aleera Montalla in its cast. Yanggaw tells the story of a woman afflicted by an illness as she is infected by the curse of becoming an aswang (a Filipino folk monster who is cannibalistic and is sometimes interpreted as able shape-shift into animals). But what the movie focuses in is the drama that occurs in her family when they realize that someone they love has become this monster.

You rewind the clocks to a couple of months ago, Yanggaw was an indie film that garnered success in the film festivals but had the same problem that many indie films had; which is that their movies are not exposed to the masses. Sure, film geeks were familiar about it; some probably just heard about it (probably at entertainment news bits that are underrated by the media); but basically, your average movie-going everyday Juan and Maria did not know anything about it or did not even care about this movie (& the rest of these indie movies).

But just recently, here in Iloilo City, the movie Yanggaw has gained popularity all of a sudden, just like a hype that is genuinely generated by people who have much regard for it. Yanggaw just seemed to come out from nowhere, and now, everybody knows its main characters Junior and Amor (and why its not wise to play volleyball when it's already getting dark. Sorry, just an inside joke if you watched the movie, hehehe). Almost every movie lover from all walks of life has an idea of what this Yanggaw movie is all about. How did this happen? The movie did not have a theatrical release, nor was it given sufficient media or advertising attention the way mainstream movies are usually given (the overexposure they usually have.) It did not have big stars, not like how mainstream local movies would cram their movies with teen starlets and matinee idols. It did not have product placements, flashy pop references, cameo appearances from celebrities, and enough corny jokes just to get attention from the movie-going public. How did Yanggaw get so famous, aside from the fact that it was also an excellently made movie?

I don't think one can deny that it's also because of Piracy! YANGGAW found its way in the Pirated DVDs markets, and because of this, the movie has had a direct exposure on the local masses. It did not take long before the movie became talk of the town. People started telling other people about how good this movie was, and the word-of-mouth popularity just sparked curiosity and later on, almost everybody you know has watched the movie. I think this is perhaps the very first, if not the only example wherein Piracy has actually helped a local movie gain some attention and popularity. And in one way or another, can it be considered success.

In case you did not know, our film industry may be classified into two major groups; the mainstream film industry, and the indie film industry. One of the reasons why the Philippine movie industry still has not gotten some respectable status despite recognition of many Pinoy indie films in film festivals around the world is that our indie film scene operates in a very underdog, underground manner. Under-exposed, under-funded, and extremely underrated.

Many of us are aware that the mainstream film industry produce films that are badly made, movies created solely for profit and are almost completely devoid of any sort of creaivity or originality. These are basically movies made by their dictatorial producer-masters, instead of real film-makers. These producer-masters are the giant companies of local entertainment media. These giants are the ones with the resources to advertise their movies and make sure that the masses would be drawn to their poorly made, but well-marketed movies.

Meanwhile, Indie Movies are never given much attention, there is just a dim spotlight for the indie film industry. Why? Because the giant media corporations feel that they never get much from these films. They never give it spotlight because the stars these films use usually do not include the actors and actresses signed under these corporations’ contracts, theyre not under their company's "pool of talents". They never give it spotlight because they feel there is no money for it. You may put it in similar comparison with many of our legislators, they never make laws which are really good for the country, not unless it is a law that they can make money out of.

Going back to our main topic, YANGGAW is indeed a movie that has risen above "film elitist" obscurity and into local mainstream success. It proves that Ilonggos have a talent in film-making, it proves that there are still Pinoy-made movies that can be world-class quality, a well-made true Grade A movie, and at the same time, one that can be embraced by the masses. It also proves that in this age of internet, file-sharing, and CD-burning, a good movie, a true obra, will sooner or later find its way to the people who will love it and it will get the praise it so deserves.

Sunday, November 15, 2009

WANTED: BORDER sends shivers in the Cinema One Originals Festival

In the 5th Annual Cinema One Originals Digital Film Festival, Wanted: Border sends shivers to all!
Directed by Ray Gibraltar, and starring Rosanna Roces, Kristoffer Rhys Grabato, Sunshine Teodoro, Marisol Alquizar, and Raffy Tejada, here is a ‘dark comedy’ that follows lost people to look for refuge that eventually becomes a nightmare.

Religious fanatic Mama Saleng owns a boarding house and eatery. When she was a child living with her grandmother, they were both suspected of being aswangs. Her thirst for humanity was quenched when she met undercover agent Jessie Beltran during the Martial Law, whose task was to terminate activists in Panay. Mama Selang grew to enjoy the face of death in her hands and totally embraced her childhood epithet of being an aswang. Now her boarders are disappearing one by one. Should her mysterious character be described what she has become can be rooted from traumas she sank into. So does she have something to do with the disappearance of her boarders? Does she butcher them? Is she a carnivore? No one will really know at first. But with a plotline too irresistible, Wanted: Border makes viewers aware what its message is. “Kung dati, nag-aapakan lang tayo ng paa...ngayon tayo tayo na ang nag kakatayan at nagkakainan---tulungan natin ang mga sarili natin na wakasan ang cycle of violence...sa ating sarili...sa ating pamilya...sa ating komunidad,” states Gibraltar.

After completing his Philosophy studies at the Saint Vincent Ferrer Seminary in Jaro, Iloilo and the University of La Salle in Bacolod, Ray Defante Gibraltar attended filmmaking workshops at the Mowelfund Film Institute in 2001. His experimental short film Makinilya was screened at the Pelikula’t Lipunan Film Festival and the Singapore International Film Festival in 2002. His full-length documentary Syokoy placed 3rd and even became the Best Regional Choice at the Gawad CCP Para sa Alternatibong Pelikula 2007. But it is his famous documentary narrative When Tamaya Meets Delgado that placed the director-writer-editor in the limelight. It premiered at the Cinemalaya Independent Film Festival in 2007. Made its Asian Premiere at the Singapore International Film Festival in 2008. Had its European premiere in the Copenhagen International Documentary Film Festival. At the 31st Gawad Urian last year When Tamaya Meets Delgado was nominated for Best Editing.

Wanted: Border will send shivers when the festival kicks off from November 13 to 17 at the Gateway Cinema at the Araneta Center in Cubao, Quezon City in part of the 15 Year Anniversary Celebration of Cinema One for being the top movie cable channel in the Philippines. The Awards Night will be held on November 15 at the Dolphy Theater of the ABS-CBN.

source: Cinema One Originals