ENCANTADIA
Will it change the way we look at Pinoy fantasy features?
By Reymundo Salao
Usually, I never ever associate the Fantasy / Sci-Fi Genre with Pinoy TV features and movies, simply because whenever our Tagalog producers of the entertainment business venture into such a genre, they usually screw it up. They think of it as a bag of cliché for children. In my personal opinion, each and every producer in the local entertainment industry who has ventured into such genre was either too ignorant of the technicalities or the discipline, or just too narrow-minded to package such genre as something that only children can comprehend. Let’s face it: The Darna series was all very badly made, Mulawin is also ridiculous; though it has some originality, it is a project which is not feasible for today’s technology, and the Panday TV series is also a great big disappointment.
Not until ENCANTADIA, (which is now in its new season, re-titled ETHERIA).When I first saw Encantadia, I immediately thought that it was a rip-off of the Lord of the Rings. I immediately concluded that it was just going to be the same copycat project, like other badly made local movies. But by the time I was halfway through the first episode, I was impressed, for it did not have the same flaws like other fantasy series. No bad acting, no weak and ambitious special effects, no lame clichés. And more importantly, I realized that it was not ripping off the Lord of the Rings. Sure, some of the costumes and the weaponry may have some familiarity with the LOTR, but it does not copy the aspects of LOTR in totality and creates its own originality with a good plot and very smart dialogues.
Some people suggested that Encantadia is influenced by J.R.R. Tolkien's The Lord of the Rings in some aspects like Hathoria refers to Mordor. Although some people argue that just as Tolkien's work was derived from other myths such as the Norse mythology, Encantadia derives some of its fictional characters from Philippine mythological entities (like Bathala and the Diwata). Accusing Encantadia as an LOTR rip-off is like accusing Star Trek of copying their concept of Spock (& the vulcans) from the LOTR Elves. Or like accusing Star Wars ripping off the many aspects of DUNE. The mere taking of inspiration from another medium does not mean that such a thing is already an imitation.
Soon thereafter, I found myself following each and every episode of the series. Two weeks after that, I concluded that I was an Encantadia fan. In the subject of judging movies and TV features, many people often jump to the conclusion that just because such a movie or TV feature is Tagalog, it sucks. When a friend of mine found out that I watch Encantadia, she immediately joked; “Gatan-aw ka sina? Daw MAID ka! Hehehe” (You watch THAT? You’re like a MAID/helper). I believe that we should be honest with our opinions. Local movies & TV features may be very far from perfect, but there are some that shine; there are some that are indeed products that are well-made with sincere and brilliant efforts. I believe Encantadia deserves praise and attention because it is probably the very first feature that takes the fantasy-genre seriously.
Although Encantadia may have some flaws, it is in totality, a work of progress apart from the projects that local producers have made. It also never tries to have a pretentious consciousness. It sincerely makes a mythology that aspires to have its own reputation and not just something made for momentary capitalistic reasons or showbiz narcissism.
The first chapter/storyline of Encantadia has ended. But it continues with its sequel (semi-prequel) ETHERIA. And in this new series, it has grown better. A tighter plot, a more impressive storyline, and the characters are given more depth.
I hope that this will usher in a new era of Pinoy features. I hope that we could soon look at Pinoy fantasy features as something that is indeed worth our attention. And not just something that can be taken for granted by childish plots and storylines.
Movie Reviews, News, Pinoy Film Reviews, Philippine Film Entertainment Stuff, Articles, Screening Skeds of the movies shown in Iloilo City. The country's only NO-GOSSIP BS Entertainment Website. For Film Junkies like you and me. Watch out for JUST ANOTHER FILM JUNKIE at the Iloilo City newspaper daily, The Guardian, every weekends.
Friday, January 27, 2006
Zathura
Zathura: A Space Adventure
One day, two boys found a mysterious boardgame entitled ZATHURA and decided to play with it. As the game begins, they become virtually sucked into the game as meteors and robots from the game crash into their house, which was now a piece of floating rock in outer space. With the dangers of the game worsening, they realize that they need to end the game in order to restore them back home and back into normality.
It is directed by Jon Favreau who is also a great actor who appeared in numerous films such as “The Replacements”, “Swingers”, and “Daredevil”. Favreau also directed the hilarious Will Ferell movie “Elf” and makes sure ZATHURA is injected with enough humor to make it appealing to its adult audiences. Topbilling the movie is its two kid actors Josh Hutcherson and Jonah Bobo, it also stars the stunningly pretty Kristen Stewart, Dax Shepard, and Tim Robbins. Surprisingly, the voice of Star Wars’ Yoda; Frank Oz who is, himself, a respectected film director with films like “The Score” and “In & Out” also lends his voice as the Robot that appears on this film.
The main theme of this movie centers upon sibling relationships. The two brothers who are the main characters of this movie face the same kind of brother-to-brother conflicts that most kids have. And the story of the movie plays with such theme nicely delivering a Disney-like moral lesson.
ZATHURA can be easily understood immediately as a science fiction version of the movie JUMANJI. Don’t expect it to be a sequel though. There were a couple of people I knew who thought it was so. The concept of a boardgame being played while its danger-turns interact with reality is truly exciting and serve as adrenalin juice to stir up children’s imaginations. But it seems that it’s as far as it can go. Indeed, this movie is a great movie to watch with the family; ergo, with kids. But you’d have to set yourself up into reliving childhood imaginations in order to ensure yourself of having a great time watching it. Its eye candy aspect can only be appreciated if watched in the big movie screen. I can it imagine this movie to be quite a bore if watched on home video or television. Best served as a family movie, ZATHURA is kid’s imagination-come-true, fun-filled ride.
One day, two boys found a mysterious boardgame entitled ZATHURA and decided to play with it. As the game begins, they become virtually sucked into the game as meteors and robots from the game crash into their house, which was now a piece of floating rock in outer space. With the dangers of the game worsening, they realize that they need to end the game in order to restore them back home and back into normality.
It is directed by Jon Favreau who is also a great actor who appeared in numerous films such as “The Replacements”, “Swingers”, and “Daredevil”. Favreau also directed the hilarious Will Ferell movie “Elf” and makes sure ZATHURA is injected with enough humor to make it appealing to its adult audiences. Topbilling the movie is its two kid actors Josh Hutcherson and Jonah Bobo, it also stars the stunningly pretty Kristen Stewart, Dax Shepard, and Tim Robbins. Surprisingly, the voice of Star Wars’ Yoda; Frank Oz who is, himself, a respectected film director with films like “The Score” and “In & Out” also lends his voice as the Robot that appears on this film.
The main theme of this movie centers upon sibling relationships. The two brothers who are the main characters of this movie face the same kind of brother-to-brother conflicts that most kids have. And the story of the movie plays with such theme nicely delivering a Disney-like moral lesson.
ZATHURA can be easily understood immediately as a science fiction version of the movie JUMANJI. Don’t expect it to be a sequel though. There were a couple of people I knew who thought it was so. The concept of a boardgame being played while its danger-turns interact with reality is truly exciting and serve as adrenalin juice to stir up children’s imaginations. But it seems that it’s as far as it can go. Indeed, this movie is a great movie to watch with the family; ergo, with kids. But you’d have to set yourself up into reliving childhood imaginations in order to ensure yourself of having a great time watching it. Its eye candy aspect can only be appreciated if watched in the big movie screen. I can it imagine this movie to be quite a bore if watched on home video or television. Best served as a family movie, ZATHURA is kid’s imagination-come-true, fun-filled ride.
Wednesday, January 25, 2006
Screening Schedules This Week (01-25-06)
ROBINSONS MOVIEWORLD
ZATHURA: A Space Adventure
12:30 PM, 2:45, 5, 7:15 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
1:55 PM, 4:35, 7:15
Don't Give Up on Us
12:45 PM, 2:55, 5:05, 7:15 PM
The Exorcism of Emily Rose
12:30 PM, 2:45, 5, 7:15 PM
Beautiful Boxer (2005)
1:15 PM, 3:15, 5:15, 7:15 PM
SM CITY CINEMA
Beautiful Boxer (2005)
12 PM, 2:15, 4:30, 6:45, 9 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
11 AM, 1:30 PM, 4, 6:30, 9 PM
ZATHURA: A Space Adventure
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Don't Give Up On Us
12:20 PM, 2:30, 4:40, 6:50, 9 PM
The Exorcism of Emily Rose
12 PM, 2:15, 4:30, 6:45, 9 PM
The Family Stone
12 PM, 2:15, 4:30, 6:45, 9 PM
ZATHURA: A Space Adventure
12:30 PM, 2:45, 5, 7:15 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
1:55 PM, 4:35, 7:15
Don't Give Up on Us
12:45 PM, 2:55, 5:05, 7:15 PM
The Exorcism of Emily Rose
12:30 PM, 2:45, 5, 7:15 PM
Beautiful Boxer (2005)
1:15 PM, 3:15, 5:15, 7:15 PM
SM CITY CINEMA
Beautiful Boxer (2005)
12 PM, 2:15, 4:30, 6:45, 9 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
11 AM, 1:30 PM, 4, 6:30, 9 PM
ZATHURA: A Space Adventure
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Don't Give Up On Us
12:20 PM, 2:30, 4:40, 6:50, 9 PM
The Exorcism of Emily Rose
12 PM, 2:15, 4:30, 6:45, 9 PM
The Family Stone
12 PM, 2:15, 4:30, 6:45, 9 PM
Friday, January 20, 2006
The EXORCISM of EMILY ROSE
The EXORCISM OF EMILY ROSE: The True Story of a Very Horrific Experience
By Reymundo Salao
This movie is LOOooONG delayed. Many of my friends were so excited to watch this EONS ago. Officially released in September 9, 2005. Released in Manila November 23, 2005. And released in Iloilo just this week? Tsk tsk!
Based on a true story, THE EXORCISM OF EMILY ROSE tells the tale of a failed exorcism on a devout colleg girl named Emily Rose (played by Jennifer Carpenter), which then, leads to her death, medically due to various severe wounds and lack of food intake. After which, Father Moore (played by Tom Wilkinson), the priest administering the exorcism rites was put on trial for the crime of Homicidal Negligence. In his aid as counsel is Erin Bruner (Laura Linney), an agnostic whose experience in handling the case later makes her a believer in the forces of light and darkness that do exist in this world. But Father Moore is not actually concerned whether he ends up in prison or not; what concerns him is to tell what really happened to Emily Rose… and why.
Very much endorsed by the Catholic Bishops Conference of the Philippines, this movie is one of those rare faith-affirming movies that achieves in giving Christian beliefs a big deal of credibility. “…Emily Rose” actually delves into the courtroom investigation of the events that transpired before Emily Rose's death. So most of the scenes we see are actually flashbacks of the story. One must not expect Emily Rose to be one of those cheap attempts to copy "The Exorcist", neither is it a movie that tries to climb on to the horror-movie-trend. This movie is more of an interesting mind-opener than just some cheap horror ride. You will never see the cliché of suspense chases, numerous CGI monsters, or needless bloodshed and gore. The closest thing it can be of comparison with may be one of those occult episodes of the X-Files. Just a bit more scary.
But horror fans may not go home empty-handed. It does give sufficient creep-factor to give enough tingles down your spine. The horror of Emily Rose is not in quantity, but in quality. What is the point of cramming the film with a big bag of horror scenes if these were not even scary, anyway? The horror may be few, but it succeeds in giving the chills. Plus, it is based on a true story; the true story of Anneliese Michel, a young German woman who suffered the same fate as the fictional Emily Rose in the 1970s. These events can also be found in the book titled "The Exorcism of Anneliese Michel" by Dr. Felicitas Goodman. The factuality alone doubles one's fear factor of this film.
There seems to be a great deal of duality and balance in the movie. Basically, it tells of a classic tale of the forces of good versus the forces of the devil. There are good lawyers, which is represented by Atty. Erin Bruner, and there is the other side, represented by her courtroom adversary Atty. Ethan Thomas' sneaky harassing tactics, and Bruner's Law Firm which attempts to control the trial with their own interests. There are good priests, represented by Fr. Moore. And there's the evil side of that represented by the Archbishop's intentions of keeping the truth from being told, so as to just protect their own reputation. And of course, up to the obvious power of God versus the power of the devil.
Laura Linney is brilliant as the lawyer Erin Bruner. But it is Tom Wilkinson as Father Moore that catches my attention. The last time I saw him, he was a cold-blooded mob boss in “Batman Begins”. Now he's a pure-hearted and valiant priest who must face the devil and the possibility of imprisonment. The one who deserves the applause, though, is Jennifer Carpenter as Emily Rose. Her portrayal of a girl in sheer agony of being possessed by the devil is a pure eerie performance. Her beauty alone gives a very 1970's “Karen Carpenter (are they related, anyway?) look” ...and Karen Carpenter freaks me out. Wake me up at 3 in the morning with a Karen Carpenter song and i will scream like a little girl.
THE EXORCISM OF EMILY ROSE is very original, very interesting, and above all, creepy. Nowadays, real horror movies do not rely on flashy special effects; just the impact, the storyline, and the acting can turn a horror audience white with fear (I bet “…Emily Rose” has a cheaper budget than “Shake Rattle & Roll 2K5”). In the category of horror movies and movies with the topic of Christianity, “…Emily Rose” is a MUST-SEE. You won’t regret THE HELL out of it.
Wednesday, January 18, 2006
Screening Schedules This Week (01-18-06) Emily Rose...it's about TIME!!!
Well, it's about f**king time they show this movie. Emily Rose is probably the ONLY movie in which ALL of my friends who do not usually watch movies, are excited to watch. I wonder if their excitement has ran out... it was MONTHS ago that they had the fever to watch it... & now its too late coz everybody knows that its DVD has already been released in the US, and therefore, the same original copy is spreading in the pirated stalls as well... oh well, good luck to the movie theaters.
ROBINSONS MOVIEWORLD
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
1:55 PM, 4:35, 7:15
In Her Shoes
1:55 PM, 4:35, 7:15
Don't Give Up on Us
12:45 PM, 2:55, 5:05, 7:15 PM
The Exorcism of Emily Rose
12:30 PM, 2:45, 5, 7:15 PM
Ilusyon
1:15 PM, 3:15, 5:15, 7:15 PM
Prime
1:15 PM, 3:15, 5:15, 7:15 PM
SM CITY CINEMA
Who's your Daddy?
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
11 AM, 1:30 PM, 4, 6:30, 9 PM
Prime
11:25 AM, 1:20 PM, 3:15, 5:10, 7:05, 9 PM
Don't Give Up On Us
11 AM, 1 PM, 3, 5, 7, 9 PM
The Exorcism of Emily Rose
12 PM, 2:15, 4:30, 6:45, 9 PM
In her Shoes
11:40 AM, 2 PM, 4:20, 6:40, 9 PM
Tuesday, January 10, 2006
THE CHRONICLES OF NARNIA: THE LION, THE WITCH, & THE WARDROBE (2005)
THE CHRONICLES OF NARNIA: THE LION, THE WITCH, & THE WARDROBE:
MAGNIFICENT, BUT SATISFACTORY
By Reymundo Salao
When four kids, the Pevensie siblings (the eldest) Peter, Susan, Edmond, and Lucy (the youngest), were playing hide and seek, one of them hides in a wardrobe and has discovered that inside is a magical portal through the mysterious land of Narnia. As all four kids wander far into the land of Narnia, they are introduced to many characters and got entangled and involved with the war that can determine the fate of Narnia. They are introduced to the evil White Witch Jadis that has frosted Narnia into perpetual winter, and they also met the rebellious creatures that seek to restore the freedom and peace in Narnia; led by their enigmatic leader; Aslan. Soon the kids find themselves taking on the great responsibility in playing a huge part in the salvation of Narnia and its creatures. They have become destined to become heroes in a magnificent battle of good versus evil.
Tilda Swinton, who made quite an impression in last year’s “Constantine” plays the White Witch Jadis, a role very much fit for her. The main characters played by Skandar Keynes as Edmond, Anna Popplewell as Susan, and William Moseley as Peter deliver powerful performances, but it was Georgie Henley as Lucy that stood out as the sparkling star of the film. As adorable as the talking beavers, one would think she is a CGI. Her cute charm and convincing performance makes one forget about Dakota Fanning. Its director Andrew Adamson, who directed the successful Shrek movies, takes on a most challenging first live-action feature film with satisfactory magnificence.
Actually very much compared to the work of his friend and colleague J.R.R. Tolkien (Lord of the Rings), C.S. Lewis’ classic fantasy epic “The Chronicles of Narnia” (which is actually composed of seven volumes/books) has been one of the most influential classical books of the 20th Century. But while Tolkien’s tale has a more mature and serious approach to fantasy and the dealings of war, life and death, Narnia is more bent on morality, values, and even hints of theology (which the film seems to have minimized in contrast to the books). The point in a nutshell, “Chronicles of Narnia” is more kid-friendly. It is quite clear that despite the action and the battles this movies has, it still abides by certain Disney limitations. One such example is that you would never see a bloodstained sword (although the presence of blood is mentioned). It is quite an ignorable little imperfection really; you will never notice it until you see the close up scenes with one of the main characters Peter. And indeed it works like a Disney movie. The radiantly colored costumes; the red and yellow color pattern for the heroes and the blue, black, and brown for the villains. When you see them in the battlefield, it gives a clear definition of what an eye-candy war looks like. The special focus on the kid characters was also a mark of a distinctive Disney movie. I'm just glad that it is a bit more progressive than the older Disney movies and never quite puts itself on dumb pre-school logic situations (except for the Santa scene though).
Aside from the blood-stain error, the thing that I was not much happy about Narnia is that at least it should have had scene where battle tactics were laid out. Even one that is less than a minute would do. I mean, come on, we know it should be kid-friendly; but we know that it shouldn’t be childish either.
There were also too many unanswered questions that popped in my head. Simple questions that the audience should’ve been given, at least, an idea of. Where did the White Witch come from? If the entire Narnia is cursed into perpetual winter, why is the land where the rebel encampment situated under the radiance of spring? Were humans ever been to Narnia before the Pevensie kids did? What happened to the minions of the Witch? And why the heck was Santa Claus there? (But it was rather cool though; the idea of Santa giving out swords and arrows) One would notice that the storyline rushes a bit too fast for its pace, as if it is in a hurry to meet up with a 3-hour long limit. The cut and the editing may have been clean, but it fails to answer questions. I'm sure a lot of the aspects of the story had been intentionally cut-out just for the movie to not drag on any longer. And indeed Narnia was never dragging. But sure I was viscerally satisfied by the movie, but the question marks remain.
Awesome as it may be, even the battle scenes failed to focus on the fight scenes of many characters. We see giants join the battle, but we barely see them fighting. We see many many characters and creatures that needed to be focused for a second glimpse. But regardless, the battle scenes were still both exhilarating and colorful. What it lacks in gore compensates in eyebrow-raising magical scenes and eye-catching characters. It is without question that the special effects of Narnia are the finest there has ever been so far, even exceeding the flawlessness of the Star Wars films. They pulled off a photo-realistic Aslan; each and every scene of the heroic lion is pure CGI, there is not a single shot of a real lion is seen in the film. But it looks so “National Geographic”- real. The gryphons, the phoenix, and the minotaurs; all visually-stunning. This is because of Narnia’s colossal combination of teams from the world’s best visual effects artists; Rhythm & Hues, Sony Imageworks and ILM. The film's creative team further includes four-time Academy Award-winning visualist Richard Taylor and the wizards from his WETA Workshop. What’s great is it does not even resort to needless SFX (Special Effects) exhibitions. Up to a point that it sometimes feels that the SFX scenes are too inadequate and that you feel the desire to see more.
Without a doubt, “Chronicles of Narnia: The Lion, The Witch, & The Wardrobe” is a stunning and majestic adventure for the whole family. A light-hearted adventure with the simple premise of good versus evil. It may not be recommended for critical geeks who want real depth in their fantasy-adventure movies, but it surely is recommended for kids of all ages.
Sunday, January 08, 2006
Screening Schedules This Week (01-09-06)
ROBINSONS MOVIEWORLD
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
11:15 AM, 1:55 PM, 4:35, 7:15
Blue Moon
12:45 PM, 2:55, 5:05, 7:15 PM
Don't Give Up On Us
12:45 PM, 2:55, 5:05, 7:15 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
11:15 AM, 1:55 PM, 4:35, 7:15
Ako Legal Wife: Mano Po 4?!
12:45 PM, 2:55, 5:05, 7:15 PM
Exodus: Tales from the Enchanted Kingdom
12:45 PM, 2:55, 5:05, 7:15 PM
SM CITY CINEMA
Exodus: Tales from the Enchanted Kingdom
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Mulawin the movie
11:40 AM, 1:45 PM,3:50, 5:55, 8 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
12:15 PM, 2:50 PM, 5:25, 8 PM
Don't Give Up On Us
11 AM, 1 PM, 3, 5, 7, 9 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
10:40 AM, 1:15 PM, 3:50, 6:25, 9 PM
King Kong
2:30 PM, 5:45, 9 PM
Enteng Kabisote 2: Okay Ka Fairy Ko...The Legend Continues!
11:25 AM, 1:20 PM, 3:15, 5:10, 7:05, 9 PM
Ako Legal Wife: Mano Po 4?!
11 AM, 1, 3, 5, 7, 9 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
11:15 AM, 1:55 PM, 4:35, 7:15
Blue Moon
12:45 PM, 2:55, 5:05, 7:15 PM
Don't Give Up On Us
12:45 PM, 2:55, 5:05, 7:15 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
11:15 AM, 1:55 PM, 4:35, 7:15
Ako Legal Wife: Mano Po 4?!
12:45 PM, 2:55, 5:05, 7:15 PM
Exodus: Tales from the Enchanted Kingdom
12:45 PM, 2:55, 5:05, 7:15 PM
SM CITY CINEMA
Exodus: Tales from the Enchanted Kingdom
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Mulawin the movie
11:40 AM, 1:45 PM,3:50, 5:55, 8 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
12:15 PM, 2:50 PM, 5:25, 8 PM
Don't Give Up On Us
11 AM, 1 PM, 3, 5, 7, 9 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
10:40 AM, 1:15 PM, 3:50, 6:25, 9 PM
King Kong
2:30 PM, 5:45, 9 PM
Enteng Kabisote 2: Okay Ka Fairy Ko...The Legend Continues!
11:25 AM, 1:20 PM, 3:15, 5:10, 7:05, 9 PM
Ako Legal Wife: Mano Po 4?!
11 AM, 1, 3, 5, 7, 9 PM
Oh Well (Junkie Ranting)
Now that the MMFF week is almost over, I feel such a great pity towards our film industry that it still has never learned from its same mistakes. But what can you do when influential and rich capitalistic pigs like Mother Lily and Bong Revilla still control the local film industry? At least, we are calmed down by the fact that the indie filmmaking scene is growing in the shadows. i have no shame in saying that i wish for the destruction of the current film industry in order to usher in a new breed of artists that will and can, at last, restore the greatness of the once respected Philippine Cinema. Oh well, for the meantime, at least, the doors to NARNIA have opened...
i have yet to get the screening sked of Robinsons Movieworld. For the meantime, here' SM City's screening sked (screening sked these days have run an irregular pattern due to the holiday season & the MMFFestival)
Exodus: Tales from the Enchanted Kingdom
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Bloodfist 2050
12:15 PM, 2 PM, 3:45, 5:30, 7:15, 9 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
12:30 PM, 3:20, 6:10, 9 PM
Don't Give Up On Us
11 AM, 1 PM, 3, 5, 7, 9 PM
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
11:30 AM, 2:20 PM, 5:10, 8 PM
Thursday, January 05, 2006
Blue Moon (2005)
A Festival of Flops, part 2
BLUE MOON: BEAUTIFUL STORY; UGLY DIRECTION
By Reymundo Salao
Based on a Palanca Awarded screenplay, BLUE MOON tells the tale of two lovers separated by fate and, in their very old, final days, seek to be reunited. Manuel Pineda (Eddie Garcia, younger version played by Mark Herras) along with his son (Christopher De Leon) and grandson (Dennis Trillo) travel far just to complete an unfinished destiny of love. Unbeknownst to them, is that the one they seek, Corazon (Boots Anson Roa, younger version played by Boots Anson-Roa) has been doing the same thing.
The problem with Joel Lamangan is that his works, like in “Filipinas” and “Aishte Imasu” have very awkward transitions. The editing that is involved in his films seemed to just work on their task with robotic clumsiness, devoid of any artistic or careful sense of timing and cinematic grace. That is to say that it has no heart; it has no emotion and it is never fluid. With a movie like Blue Moon that is not only a romantic story, but also has elements of nostalgia involved in it, you would think that there would be room for a little showing-off in the field of cinematography. Instead, what we get is a special effect of a shot of the moonlight that seems to be the same moonlight shot used in the Darna movies.
Same problem with MULAWIN the movie, its music is a monotonous mix of synthesizer-induced soundtrack of the same bullcrap pattern of instrumentals. It is as if they were using the same synthesizer-induced music that has been used in all Aga Mulach movies for the past 20 years. No progress, the music in this movie still sounds like the ‘drama’ that is heard in AM radio stations. And many times, even the musical choices of AM radio ‘dramas” are better.
Eddie Garcia, Christopher De Leon, Dennis Trillo, Pauleen Luna, Boots Anson Roa, and Jennelyn Mercado did an excellent work in this movie. It was uncanny how Boots Anson Roa does have similar facial features with Jennelyn Mercado. And then, there’s Mark Herras, who was outright bland in his acting. It was too bad that he was cast for one of the main roles; it is clear now that his talent is only fit for noontime variety shows and teenybopper shows, and that his acting abilities are way below zero. The way-too-clean wardrobe and costumes did not help either. Mark Herras seemed to have GEL on his hair during ALL his scenes. And when I say ALL, I do mean ALL his scenes. There’s a scene where he’s working with his mother by the sea-- while his head shines with a stylish shimmer of gel, and then there’s another scene where we see him fixing the holes in his wife’s roof--and he has GEL on his head AGAIN! Then we see him waking up from his sleep—and –OH MY GOD-he STILL has GEL on HIS HEAD! Maybe I’d give it the benefit of a doubt, but it’s obvious that we have here the same ERRORS that “Aishte Imas” and the “Mano Po” movies have; either Regal Film Productions or Joel Lamangan, DGPI can claim this as a signature of what they might think of as fine art of filmmaking.
In a “Death March” scene with Mark Herras and Polo Ravales who were held captive by the Japanese invading army, we see Mark and Polo, who, aside from the bloodied hand and T-shirt had looked too clean for that scene which they have supposedly been under harsh treatment. Hello? Just 10 minutes under the heat of the sun can make one look as wasted as a grunge junkie, and here we have Polo Revales and Mark Herras walking a Death March with faces that looked as if they were just showered with Eskinol? Oh, and let me not forget; Mark still has his GEL on.
And then we have the scenes with Eddie Garcia (Terrorist Hunter). I have regretted that I missed out on watching “Terrorist Hunter” last week (because there hasn’t been any big Tagalog action movie for a long time and this seems to be one of the movie in which I can stand myself paying for), but then I realized that BLUE MOON was “Terrorist Hunter”. In scenes where we see Eddie Garcia saying: “Hindi ko titigilan ang paghanap sa kanya…” I would imagine him continuing “…dahil ako ay ang TERRORIST HUNTER” And INDEED he was! Because, even though he was just portraying a regular old guy in search of his true love, he is still dressed in his “default action star costume” (reminiscent of his Mayor Latigo & Boyong Mañalac days): cowboy hat, and a Parak-like jacket, even though we know how awfully hot the Philippines is, especially in these Global Warming times.
Don’t you just hate it when you watch a Tagalog movie and they speak a lot of English in their dialogues? Sure there’s not much wrong with it, because many of us indeed use English in normal conversations. But NOT AS OFTEN as the ones in badly-made Tagalog movies! They screw it up to a point that it does not come off as a natural expression; they appear to have just recited a script. In addition, it’s a Pinoy movie, with a majority of Pinoy characters; try to lessen the English. L1nt1!
The movie has many loopholes and awkward, inappropriate, and weakly-executed scenes. There’s a scene where Eddie Garcia, Christopher De Leon, and Dennis Trillio is reacting to a romantic scene between a pilot and his loved one. Instead, we see an ultra-cheesy scene with the couple doing a cliché “run-to-the-person-you-love” scene that looks like a deodorant commercial.
There is also the CGI scene with Mark Herras being a fighter pilot in World War II. A badly-made scene due to its cheap CGI. If your special effects is bad, why not minimize that scene and not shoot the entire aerial dogfight scene which is totally unnecessary and inconsistent with the mood of the film?!!! I guess they just wanted to brag on special effects that they think is worth bragging about. It’s that same bad-directing detail that they did in Aishte Imasu. The movie is filled with scenes that are just utterly improper, ridiculously overblown and often is devoid of either common sense or unsubstantial exposition (What triggered Manuel to find Corazon? Why is Corazon looking for somebody in the Philippines? What happened to the other Corazon?). In addition, Blue Moon is also filled with scenes that lacked emphasis and could’ve been executed in an alternate remarkable way.
With this movie, I have discovered that Joel Lamangan’s style can be given the definition: the insistence to do a period piece movie, which only ends up being a badly made film, filled with pretentious and lousy CGI effects, exaggerated costumes, and the unrealistic and imbalanced delivery of the movie package itself. All one can get from this movie is the exercise of imagination of how such a beautiful story could’ve been made BETTER if it were made by other directors and produced by other producers. Sure, this movies is better than the other MMFF entries, sure, this movie could bag lots of awards in the MMFF, but it is only so, because it is not as AWFUL as the rest of the entries.
BLUE MOON: BEAUTIFUL STORY; UGLY DIRECTION
By Reymundo Salao
Based on a Palanca Awarded screenplay, BLUE MOON tells the tale of two lovers separated by fate and, in their very old, final days, seek to be reunited. Manuel Pineda (Eddie Garcia, younger version played by Mark Herras) along with his son (Christopher De Leon) and grandson (Dennis Trillo) travel far just to complete an unfinished destiny of love. Unbeknownst to them, is that the one they seek, Corazon (Boots Anson Roa, younger version played by Boots Anson-Roa) has been doing the same thing.
The problem with Joel Lamangan is that his works, like in “Filipinas” and “Aishte Imasu” have very awkward transitions. The editing that is involved in his films seemed to just work on their task with robotic clumsiness, devoid of any artistic or careful sense of timing and cinematic grace. That is to say that it has no heart; it has no emotion and it is never fluid. With a movie like Blue Moon that is not only a romantic story, but also has elements of nostalgia involved in it, you would think that there would be room for a little showing-off in the field of cinematography. Instead, what we get is a special effect of a shot of the moonlight that seems to be the same moonlight shot used in the Darna movies.
Same problem with MULAWIN the movie, its music is a monotonous mix of synthesizer-induced soundtrack of the same bullcrap pattern of instrumentals. It is as if they were using the same synthesizer-induced music that has been used in all Aga Mulach movies for the past 20 years. No progress, the music in this movie still sounds like the ‘drama’ that is heard in AM radio stations. And many times, even the musical choices of AM radio ‘dramas” are better.
Eddie Garcia, Christopher De Leon, Dennis Trillo, Pauleen Luna, Boots Anson Roa, and Jennelyn Mercado did an excellent work in this movie. It was uncanny how Boots Anson Roa does have similar facial features with Jennelyn Mercado. And then, there’s Mark Herras, who was outright bland in his acting. It was too bad that he was cast for one of the main roles; it is clear now that his talent is only fit for noontime variety shows and teenybopper shows, and that his acting abilities are way below zero. The way-too-clean wardrobe and costumes did not help either. Mark Herras seemed to have GEL on his hair during ALL his scenes. And when I say ALL, I do mean ALL his scenes. There’s a scene where he’s working with his mother by the sea-- while his head shines with a stylish shimmer of gel, and then there’s another scene where we see him fixing the holes in his wife’s roof--and he has GEL on his head AGAIN! Then we see him waking up from his sleep—and –OH MY GOD-he STILL has GEL on HIS HEAD! Maybe I’d give it the benefit of a doubt, but it’s obvious that we have here the same ERRORS that “Aishte Imas” and the “Mano Po” movies have; either Regal Film Productions or Joel Lamangan, DGPI can claim this as a signature of what they might think of as fine art of filmmaking.
In a “Death March” scene with Mark Herras and Polo Ravales who were held captive by the Japanese invading army, we see Mark and Polo, who, aside from the bloodied hand and T-shirt had looked too clean for that scene which they have supposedly been under harsh treatment. Hello? Just 10 minutes under the heat of the sun can make one look as wasted as a grunge junkie, and here we have Polo Revales and Mark Herras walking a Death March with faces that looked as if they were just showered with Eskinol? Oh, and let me not forget; Mark still has his GEL on.
And then we have the scenes with Eddie Garcia (Terrorist Hunter). I have regretted that I missed out on watching “Terrorist Hunter” last week (because there hasn’t been any big Tagalog action movie for a long time and this seems to be one of the movie in which I can stand myself paying for), but then I realized that BLUE MOON was “Terrorist Hunter”. In scenes where we see Eddie Garcia saying: “Hindi ko titigilan ang paghanap sa kanya…” I would imagine him continuing “…dahil ako ay ang TERRORIST HUNTER” And INDEED he was! Because, even though he was just portraying a regular old guy in search of his true love, he is still dressed in his “default action star costume” (reminiscent of his Mayor Latigo & Boyong Mañalac days): cowboy hat, and a Parak-like jacket, even though we know how awfully hot the Philippines is, especially in these Global Warming times.
Don’t you just hate it when you watch a Tagalog movie and they speak a lot of English in their dialogues? Sure there’s not much wrong with it, because many of us indeed use English in normal conversations. But NOT AS OFTEN as the ones in badly-made Tagalog movies! They screw it up to a point that it does not come off as a natural expression; they appear to have just recited a script. In addition, it’s a Pinoy movie, with a majority of Pinoy characters; try to lessen the English. L1nt1!
The movie has many loopholes and awkward, inappropriate, and weakly-executed scenes. There’s a scene where Eddie Garcia, Christopher De Leon, and Dennis Trillio is reacting to a romantic scene between a pilot and his loved one. Instead, we see an ultra-cheesy scene with the couple doing a cliché “run-to-the-person-you-love” scene that looks like a deodorant commercial.
There is also the CGI scene with Mark Herras being a fighter pilot in World War II. A badly-made scene due to its cheap CGI. If your special effects is bad, why not minimize that scene and not shoot the entire aerial dogfight scene which is totally unnecessary and inconsistent with the mood of the film?!!! I guess they just wanted to brag on special effects that they think is worth bragging about. It’s that same bad-directing detail that they did in Aishte Imasu. The movie is filled with scenes that are just utterly improper, ridiculously overblown and often is devoid of either common sense or unsubstantial exposition (What triggered Manuel to find Corazon? Why is Corazon looking for somebody in the Philippines? What happened to the other Corazon?). In addition, Blue Moon is also filled with scenes that lacked emphasis and could’ve been executed in an alternate remarkable way.
With this movie, I have discovered that Joel Lamangan’s style can be given the definition: the insistence to do a period piece movie, which only ends up being a badly made film, filled with pretentious and lousy CGI effects, exaggerated costumes, and the unrealistic and imbalanced delivery of the movie package itself. All one can get from this movie is the exercise of imagination of how such a beautiful story could’ve been made BETTER if it were made by other directors and produced by other producers. Sure, this movies is better than the other MMFF entries, sure, this movie could bag lots of awards in the MMFF, but it is only so, because it is not as AWFUL as the rest of the entries.
Tuesday, January 03, 2006
Screening Schedules This Week (01-04-06)
ROBINSONS MOVIEWORLD
Shake, Rattle, & Roll 2k5
11:15 AM, 1:15 PM, 4:15, 7:15 PM
Blue Moon
11:15 AM, 1:15 PM, 4:15, 7:15 PM
Exodus: Tales from the Enchanted Kingdom
12:45 PM, 2:55, 5:05, 7:15 PM
Ako Legal Wife: Mano Po 4?!
12:45 PM, 2:55, 5:05, 7:15 PM
Enteng Kabisote 2: Okay Ka Fairy Ko...The Legend Continues!
12:45 PM, 2:55, 5:05, 7:15 PM
Mulawin the Movie
12:45 PM, 2:55, 5:05, 7:15 PM
SM CITY CINEMA
Exodus: Tales from the Enchanted Kingdom
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Lagot Ka Sa Kuya Ko
11 AM, 1 PM, 3, 5, 7, 9 PM
The Mourning Girls
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Blue Moon
11 AM, 1 PM, 3, 5, 7, 9 PM
MULAWIN
10:35 AM, 12:40 PM, 2:45, 4:50, 6:55, 9 PM
KING KONG
11:15 AM, 2:30 PM, 5:45, 9 PM
Enteng Kabisote 2: Okay Ka Fairy Ko...The Legend Continues!
11:25 AM, 1:20 PM, 3:15, 5:10, 7:05, 9 PM
Ako Legal Wife: Mano Po 4?!
11 AM, 1 PM, 3, 5, 7, 9 PM
Shake, Rattle, & Roll 2k5
11:15 AM, 1:15 PM, 4:15, 7:15 PM
Blue Moon
11:15 AM, 1:15 PM, 4:15, 7:15 PM
Exodus: Tales from the Enchanted Kingdom
12:45 PM, 2:55, 5:05, 7:15 PM
Ako Legal Wife: Mano Po 4?!
12:45 PM, 2:55, 5:05, 7:15 PM
Enteng Kabisote 2: Okay Ka Fairy Ko...The Legend Continues!
12:45 PM, 2:55, 5:05, 7:15 PM
Mulawin the Movie
12:45 PM, 2:55, 5:05, 7:15 PM
SM CITY CINEMA
Exodus: Tales from the Enchanted Kingdom
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Lagot Ka Sa Kuya Ko
11 AM, 1 PM, 3, 5, 7, 9 PM
The Mourning Girls
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Blue Moon
11 AM, 1 PM, 3, 5, 7, 9 PM
MULAWIN
10:35 AM, 12:40 PM, 2:45, 4:50, 6:55, 9 PM
KING KONG
11:15 AM, 2:30 PM, 5:45, 9 PM
Enteng Kabisote 2: Okay Ka Fairy Ko...The Legend Continues!
11:25 AM, 1:20 PM, 3:15, 5:10, 7:05, 9 PM
Ako Legal Wife: Mano Po 4?!
11 AM, 1 PM, 3, 5, 7, 9 PM
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