Sunday, March 08, 2009

Watchmen

Compare & Contrast: WATCHMEN
by Mark Earl Yap

Radioactive Culture

Watchmen (Comics) | Watchmen (Film)
9.8 of 10 | 9.0 of 10
Writer: Alan Moore | Director: Zack Snyder
Artist: David Gibbons | Screenplay: David Hayter

4 years ago, when I started earning an income, the first things I spent my money on were graphic novels. At first, I just bought trade paperbacks of popular superhero comics. But I grew tired of the superheroes. So I started digging around for something different. During that time, Time magazine had just published their list of "Top 100 novels", and Watchmen was the only graphic novel on that list. The book made a lot of commotion back then. So I thought, even though its pages were still rife with costumed heroes, I'd give it shot. After reading it, my outlook on the mainstream comics industry has forever changed. It has matured.

Watchmen, the graphic novel, just blew my guts and mind away. I've never read a superhero book that displays plenty of realism. The setting, especially, an alternate reality that resembles much of the 80's, with all its political issues intact (mainly the Nuclear Arms Race), is very realistic. Only the existence of masked heroes and their technologies have altered real-world events, like the Vietnam War and the utilization of electric cars. The characters are also real and -with the exception of Dr. Manhattan- powerless. The superheroes have flaws and issues. They're not your typical role models for 10 year-old kids. Their morality are neither black nor white but different shades of gray. In short, their superhero image was deconstructed, and that's what I really love about the graphic novel.

For the most part, I'm happy to say that the things I like about the graphic novel was faithfully adapted into the film. The setting, the themes and the works I've mentioned came to life on the big screen. Almost every panel in the graphic novel (especially the sex scene) was put to motion in the film. Even the dialogue was pretty much lifted from the word bubbles and made audible. But what I really loved about the movie are the cast. All of them did an exemplary job of bringing each Watchman to life. Jackie Earle Harley, especially, did a bad-ass job playing Rorschach. Jeffrey Dean Morgan's performance also made me love The Comedian (he's my least favorite character in the graphic novel). As for Malin Akerman, I couldn't think of any actress that can play a much sexier Silk Spectre than her.

But changes and tweaks there were in the film, however. But most were necessary changes and insignificant enough (unless you're a purist amongst purists) to affect the main plot and theme of the film. The biggest tweak was probably the vehicle of doomsday in the plot (which I won't spoil). But I think it was a good move because it made the movie less pulpy by eliminating the mad science aspect that was present in the graphic novel. The book's histories, the advent of costumed heroes and political events, were also reduced and refitted into the opening scene. So the details that made the atmosphere so dense in the graphic novel is diluted in the movie. The Tales of the Black Freighter, a sub story in the comics, was also entirely removed from the film.

Overall, as a fan of the graphic novel, I was very pleased with the Watchmen. It is a good example of a comics-to-film adaptation because it stayed true to the comics. Even the cast worked hard to accurately portray the characters in the movie. So that means a lot to me. True, there were tweaks. But they were too minor to alter the film's main plot and theme -which is the deconstruction of the superhero image (a nice theme in the thick of superhero flicks). The only thing bad I can think about it is that the film was too loyal to the graphic novel. Which means that the film can become too convoluted to those who haven't read the comic version. Also, it probably won't draw crowds that don't like comics in the first place.

Friday, March 06, 2009

PUSH


PUSH: SOMETHING BETWEEN 'HEROES' & X'-MEN'
by Reymundo Salao


First off, I apologize to you people who follow my column, I disappeared again because my pc got busted. I had to spend like 12 thousand to get it fixed and I had to beg and utang to get it fixed (replaced the motherboard, the works). So my column and my website had to sleep for 2 weeks. All I can do is some minor updates when I visited a friend's house. Anyway, I woke up early today and realized that WATCHMEN is not yet showing in Iloilo! AYudipu!!! What do they think of Iloilo? Uma?! You see, This friday is supposed to be the Opening Day for the highly anticipated movie adaptation of the graphic novel classic WATCHMEN (which is also one of TIME Magazine's top 100 books of all time). Oh well. Pahuway. It's still early and who knows maybe it's just a one day delay (cross fingers). Let's move on to a movie I saw last week which is currently on extended run; the superpowered action movie "PUSH"

PUSH feels like the TV series HEROES without the dull moments which in here are replaced by stylish hip cinematography and funky electronica mixes. PUSH also feels like a mellow version of "X-Men"; one without costumes and without the "save-the-world and mankind" aspect. PUSH's storyline simply revolves around a group of individuals gifted with psychic and superhuman abilities, which are hunted down by a secret government agency also composed of individuals with superhuman powers.

Chris Evans have impressed us and proved that he can act in a serious degree when he appeared in the Danny Boyle film SUNSHINE. Director Paul McGuigan was also impressed by Evans in that movie and because of this, Evans was cast as the lead character of this movie. Despite being better known by the mainstream moviegoing public as The Human Torch in the Fantastic Four movies, Chris Evans does a fine job handling the main character title here. Side-by-side Evans is Dakota Fanning and Camila Belle who looks a bit too worn-out in this movie. Djimon Honsou plays the lead villain who's out to hunt our main characters. Honsou never fails to be good in any role, and in this one, he's a coll villain.


The look, the feel, and the setting of the movie itself, which is in the streets of Hongkong is very colorfully urban artistic. Many of the shots feel too raw that it works best if you think of it as a "Matrix" of indie cinema. But what makes it a cool movie for some is what makes it a bad movie for others. The raw feel of the movie, you see, feels like it lacked a sense of explosion and magnitude to impress those who are expecting the blowout satisfaction by the typical superhero movie these days. Personally, I also felt that it lacked a certain amount of x-factor impact for me to consider it a really awesome flick. There were moments, while I'm watching the movie, that I felt that all my friends should watch this movie, but when I got to the end, it only gave me half the satisfaction I would have desired to have. Also, my main gripe about the movie is that the storytelling was not so tight. The movie tried to make the twists and turns of the plot interestingly complex, which was beautiful at some point. But where the storyline goes in the end, only proves that those twists really were just cheap storyline diversions. The unresolved ending craves for a sequel, which is a shame if the movie becomes unsuccessful and that sequel wont be produced. A shame because I did love this movie despite its little shortcomings, and I wanna see where the characters will go after this movie, which feels like just an episode.

Tuesday, February 24, 2009

The 91st Annual Academy Awards Winners

Complete list of Academy Award winners and nominees
(CNN) -- Who walked away with Oscars this year? The following is a complete list of winners at the 81st annual Academy Awards.

Best Picture
"The Curious Case of Benjamin Button"
"Frost/Nixon"
"Milk"
"The Reader"
WINNER: "Slumdog Millionaire"

Director
WINNER: Danny Boyle, "Slumdog Millionaire"
Stephen Daldry, "The Reader"
David Fincher, "The Curious Case of Benjamin Button"
Ron Howard, "Frost/Nixon"
Gus Van Sant, "Milk"

Actor
Richard Jenkins, "The Visitor"
Frank Langella, "Frost/Nixon"
WINNER: Sean Penn, "Milk"
Brad Pitt, "The Curious Case of Benjamin Button"
Mickey Rourke, "The Wrestler"

Actress
Anne Hathaway, "Rachel Getting Married"
Angelina Jolie, "Changeling"
Melissa Leo, "Frozen River"
Meryl Streep, "Doubt"
WINNER: Kate Winslet, "The Reader"

Supporting Actor
Josh Brolin, "Milk"
Robert Downey Jr., "Tropic Thunder"
Philip Seymour Hoffman, "Doubt"
WINNER: Heath Ledger, "The Dark Knight"
Michael Shannon, "Revolutionary Road"

Supporting Actress
Amy Adams, "Doubt"
WINNER: Penelope Cruz, "Vicky Cristina Barcelona"
Viola Davis, "Doubt"
Taraji P. Henson, "The Curious Case of Benjamin Button"
Marisa Tomei, "The Wrestler"

Animated Feature
"Bolt"
"Kung Fu Panda"
WINNER: "WALL-E"

Adapted Screenplay
"The Curious Case of Benjamin Button," screenplay by Eric Roth, screen story by Eric Roth and Robin Swicord
"Doubt," written by John Patrick Shanley
"Frost/Nixon," screenplay by Peter Morgan
"The Reader," screenplay by David Hare
WINNER: "Slumdog Millionaire," screenplay by Simon Beaufoy

Original Screenplay
"Frozen River," written by Courtney Hunt
"Happy-Go-Lucky," written by Mike Leigh
"In Bruges," written by Martin McDonagh
WINNER: "Milk," written by Dustin Lance Black
"WALL-E," screenplay by Andrew Stanton, Jim Reardon; original story by Andrew Stanton, Pete Docter

Art Direction
"Changeling," James J. Murakami; set decoration: Gary Fettis
WINNER: "The Curious Case of Benjamin Button," Donald Graham Burt; set decoration: Victor J. Zolfo
"The Dark Knight," Nathan Crowley; set decoration: Peter Lando
"The Duchess," Michael Carlin; set decoration: Rebecca Alleway
"Revolutionary Road," Kristi Zea; set decoration: Debra Schutt

Cinematography
"Changeling," Tom Stern
"The Curious Case of Benjamin Button," Claudio Miranda
"The Dark Knight," Wally Pfister
"The Reader," Chris Menges and Roger Deakins
WINNER: "Slumdog Millionaire," Anthony Dod Mantle

Costume Design
"Australia," Catherine Martin
"The Curious Case of Benjamin Button," Jacqueline West
WINNER: "The Duchess," Michael O'Connor
"Milk," Danny Glicker
"Revolutionary Road," Albert Wolsky

Documentary Feature
"The Betrayal (Nerakhoon)"
"Encounters at the End of the World"
"The Garden"
WINNER: "Man on Wire"
"Trouble the Water"

Documentary Short
"The Conscience of Nhem En"
"The Final Inch"
WINNER: "Smile Pinki"
"The Witness -- From the Balcony of Room 306"

Film Editing
"The Curious Case of Benjamin Button," Kirk Baxter and Angus Wall
"The Dark Knight," Lee Smith
"Frost/Nixon," Mike Hill and Dan Hanley
"Milk," Elliot Graham
WINNER: "Slumdog Millionaire," Chris Dickens

Foreign Language Film
"The Baader Meinhof Complex," Germany
"The Class," France
WINNER: "Departures," Japan
"Revanche," Austria
"Waltz with Bashir," Israel

Makeup
WINNER: "The Curious Case of Benjamin Button," Greg Cannom
"The Dark Knight," John Caglione Jr. and Conor O'Sullivan
"Hellboy II: The Golden Army," Mike Elizalde and Thom Floutz

Original Score
"The Curious Case of Benjamin Button," Alexandre Desplat
"Defiance," James Newton Howard
"Milk," Danny Elfman
WINNER: "Slumdog Millionaire," A.R. Rahman
"WALL-E," Thomas Newman

Original Song
"Down to Earth" from "WALL-E," music by Peter Gabriel and Thomas Newman, lyrics by Peter Gabriel
WINNER: "Jai Ho" from "Slumdog Millionaire," music by A.R. Rahman, lyrics by Gulzar
"O Saya" from "Slumdog Millionaire," music and lyrics by A.R. Rahman and Maya Arulpragasam


Animated Short
WINNER: "La Maison en Petits Cubes"
"Lavatory -- Lovestory"
"Oktapodi"
"Presto"
"This Way Up"

Live-Action Short
"Auf der Strecke (On the Line)"
"Manon on the Asphalt"
"New Boy"
"The Pig"
WINNER: "Spielzeugland"

Sound Editing
WINNER: "The Dark Knight," Richard King
"Iron Man," Frank Eulner and Christopher Boyes
"Slumdog Millionaire," Glenn Freemantle and Tom Sayers
"WALL-E," Ben Burtt and Matthew Wood
"Wanted," Wylie Stateman

Sound Mixing
"The Curious Case of Benjamin Button," David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
"The Dark Knight," Lora Hirschberg, Gary Rizzo and Ed Novick
WINNER: "Slumdog Millionaire," Ian Tapp, Richard Pryke and Resul Pookutty
"WALL-E," Tom Myers, Michael Semanick and Ben Burtt
"Wanted," Chris Jenkins, Frank A. MontaƱo and Petr Forejt

Visual Effects
WINNER: "The Curious Case of Benjamin Button," Eric Barba, Steve Preeg, Burt Dalton and Craig Barron
"The Dark Knight," Nick Davis, Chris Corbould, Tim Webber and Paul Franklin
"Iron Man," John Nelson, Ben Snow, Dan Sudick and Shane Mahan

For more on the stars, the speeches and the spectacle, check our source, cnn.com

Monday, February 23, 2009

RAZZIE Awards Winners [celebrating the worst of the WORST films of the year]

Razzies Announce Their "Winners"
The Love Guru nabs 3 big ones
source: rottentomatoes.com

No awards season would be complete without the Golden Raspberry Awards (AKA The Razzies), awarded each year to the very worst movies to hit Hollywood. This year's winners were announced on Saturday evening, and multiple-nominee The Love Guru took home not only top honors, but a couple others as well, and Paris Hilton received three Razzies as well.

Leading the pack in nominations was Disaster Movie (2 percent on the Tomatometer), which managed to earn six nominations; The Hottie & the Nottie (5 percent), up for honors in five categories; and Uwe Boll's In the Name of the King: A Dungeon Siege Tale, which also earned the Teutonic Terror a Worst Career Achievement Razzie.

The complete list of nominees:

Worst Picture

Disaster Movie & Meet the Spartans (double nominee from the same writer-directors)
The Happening
The Hottie & The Nottie
In the Name of the King: A Dungeon Siege Tale
The Love Guru - WINNER

Worst Actor

Larry the Cable Guy, Witless Protection
Eddie Murphy, Meet Dave
Mike Myers, The Love Guru - WINNER
Al Pacino, 88 Minutes & Righteous Kill
Mark Wahlberg, The Happening & Max Payne

Worst Actress

Jessica Alba, The Eye & The Love Guru
The cast of The Women (Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett-Smith, and Meg Ryan)
Cameron Diaz, What Happens in Vegas
Paris Hilton, The Hottie & The Nottie - WINNER
Kate Hudson, Fool's Gold & My Best Friend's Girl

Worst Supporting Actor

Uwe Boll (as himself), Uwe Boll's Postal
Pierce Brosnan, Mamma Mia! - WINNER
Ben Kingsley, The Love Guru & War, Inc. & The Wackness
Burt Reynolds, Deal & In the Name of the King: A Dungeon Siege Tale
Verne Troyer, The Love Guru & Uwe Boll's Postal

Worst Supporting Actress

Carmen Electra, Disaster Movie & Meet the Spartans
Paris Hilton, Repo! The Genetic Opera - WINNER
Kim Kardashian, Disaster Movie
Jenny McCarthy, Witless Protection
Leelee Sobieski, 88 Minutes & In the Name of the King: A Dungeon Siege Tale

Worst Screen Couple

Uwe Boll and any Actor, Camera, or Screenplay
Cameron Diaz and Ashton Kutcher, What Happens in Vegas
Paris Hilton and either Christine Lakin or Joel David Moore, The Hottie and the Nottie - WINNER
Larry the Cable Guy and Jenny McCarthy, Witless Protection
Eddie Murphy and Eddie Murphy, Meet Dave

Worst Prequel, Remake, Rip-Off, or Sequel

The Day the Earth Blowed Up Real Good
Disaster Movie and Meet the Spartans
Indiana Jones and the Kingdom of the Crystal Skull - WINNER
Speed Racer
Star Wars: The Clone Wars

Worst Director

Uwe Boll, 1968: Tunnel Rats, In the Name of the King: A Dungeon Siege Tale and Uwe Boll's Postal - WINNER
Jason Friedberg and Aaron Seltzer, Disaster Movie and Meet the Spartans
Tom Putnam, The Hottie & the Nottie
Marco Schnabel, The Love Guru
M. Night Shyamalan, The Happening

Worst Screenplay

Disaster Movie and Meet the Spartans
The Happening
The Hottie and the Nottie
In the Name of the King: A Dungeon Siege Tale
The Love Guru - WINNER

Worst Career Achievement

Uwe Boll

if you ask me, both Disaster Movie & Meet the Spartans are the worst movies last year. But then those movies do NOT deserve to win ANY award. Not even the Razzies.

Sunday, February 15, 2009

Remaking A NIGHTMARE ON ELM STREET

Director & Actor has been chosen to be the new Freddy

With their Friday the 13th remake in theaters today, this week was a good time apparently for New Line Cinema and Platinum Dunes (a company built almost entirely on the concept of horror remakes) to get things rolling for their remake of A Nightmare on Elm Street, although apparently they've decided to lose the "A" since I never see it mentioned in stories about this remake. First off, the director for the remake will be veteran music video helmer Samuel Bayer, who will make his feature debut, but is responsible for some of the 1990s most memorable videos, like Nirvana's Smells Like Teen Spirit, Blind Melon's No Rain and The Cranberries' Zombie. As for the casting of Freddy Krueger, although there had been rumors about Billy Bob Thornton a few months back, Latino Review is reporting that the current top choice is Jackie Earle Haley, AKA Rorschach in Watchmen. Filming might start as soon as later this spring.

Source: Rotten Tomatoes

Thursday, February 12, 2009

Denzel & Cruising are spying on Ludlum's Matarese Circle

[Source: The Hollywood Reporter]

Moviegoers hoping to see Denzel Washington and Tom Cruise face off on the big screen will get their chance with MGM's big-budget adaptation of "The Matarese Circle." Cruise is in final negotiations to take on the role of the Russian spy Vasili Taleniekov, the mortal enemy of American intelligence operative Brandon Scofield (Washington). "Eastern Promises" director David Cronenberg will direct the globetrotting potential franchise-launcher.

Cruise, an ownership partner in MGM division United Artists, had been considering several projects, including the Spyglass Entertainment thriller "The Tourist" and the Universal comedy "Food Fight." Reps still are working out where the "Matarese" shoot will fit in chronologically. But committing to "Matarese" keeps Cruise playing home-team ball as he is developing a number of potential producing and starring projects at MGM and UA. The "Matarese" property could benefit Cruise's acting career as well because it represents a return to the high-tech action milieu that served him well in the "Mission: Impossible" franchise most recently visited in 2006.

Adapted by "Wanted" scribes Derek Haas and Michael Brandt, as well as Cronenberg, from a 1979 Robert Ludlum novel, the "Matarese" story line revolves around the longtime archenemies who are forced into a distrustful collaboration against a wide-reaching political conspiracy orchestrated by a mysterious organization called the Matarese.

Ludlum drew inspiration from David Rockefeller's Trilateral Commission in the 1970s, but the screenwriters have updated the time frame from the Cold War to a contemporary setting.

After "Quantum of Solace," MGM regains sole proprietorship of the James Bond juggernaut, and Guillermo del Toro's two-part adaptation of "The Hobbit" is in the works. But neither is likely to see screen time before 2011 or 2012. Ludlum wrote a follow-up to "Matarese" in 1997 called "The Matarese Countdown," to which the studio also has acquired the rights. The CAA-repped Cruise most recently starred in the UA release "Valkyrie," which has grossed $139 million worldwide. He also appeared in a high-profile cameo for the DreamWorks comedy "Tropic Thunder."

[Read the FULL STORY here]

Sunday, February 08, 2009

Rourke Not Crimson Dynamo in Iron Man 2?

Source:MTV
February 4, 2009

In January when trade reports announced that Mickey Rourke was in talks to play a villain in Iron Man 2, it was believed that he would take on the role of Crimson Dynamo. Robert Downey Jr. tells MTV that doesn't seem to be the case, however:

"That's actually incorrect," Downey told MTV News when asked if Rourke was being considered for the aforementioned Iron Man rogue. When pressed if, instead of Crimson Dynamo, Rourke was up for the role of Whiplash, another potential role bandied about on blogs these days, Downey had a more cryptic response.

"I can neither confirm nor deny that," said Downey. "Or maybe it's some semblance of both. Here, I can tell you everything about the story except I won't give away the ending. The nerd stuff is top-drawer security."

Stay tuned for possibly more on his role soon. Iron Man 2 is scheduled for a May 7, 2010 release.