Tuesday, May 01, 2007

Spider-Man explodes in several local screens 4 days advance


The highly-anticipated SPIDER-MAN 3 is opening in Philippine Cinemas today May 1, 2007. 3 days ahead of its official American release on May 4, 2007.
Locally, it will be shown in almost all local screens. SM City opens with all theaters showing the movie, while at Robinson's movieworld, it opens in 4 out of its 6 theaters.

ROBINSONS MOVIEWORLD
Spider-man 3
12:40 PM, 3:20, 6, 8:40PM
Spider-man 3
10:30 AM, 1:10 PM, 3:50, 6:30 PM
Spider-man 3
11:40 AM, 2:20, 5, 7:40 PM
Spider-man 4
1:45 PM, 4:25, 7:05 PM
Ang Cute ng Ina Mo
11:15 AM, 1:15 PM, 3:15, 5:15, 7:15 PM
Pathfinder
12:45 PM, 2:55, 5:05, 7:15 PM

SM CITY CINEMA
Spider-man 3
11:40 AM, 2:20 PM, 5, 7:40 PM
Spider-man 3
3 PM, 8:20 PM
Spider-man 3
10:20 AM, 1 PM, 3:40, 6:20, 9 PM
Spider-man 3
11 AM, 1:40 PM, 4:20, 7 PM
Spider-man 3
12:10 PM, 2:50, 5:30, 8:10 PM
Spider-man 3
10:20 AM, 1 PM, 3:40, 6:20, 9 PM
Spider-man 3
11:20 AM, 2 PM, 4:40, 7:20 PM

Friday, April 20, 2007

TMNT (Teenage Mutant Ninja Turtles / 2007)


TMNT: THE TEENAGE MUTANT NINJA TURTLES ARE BACK!
By Reymundo Salao


ORIGINS & MUTATIONS
The Teenage Mutant Ninja Turtles were created in 1984 by Peter Laird and Kevin Eastman. It was created to spoof the world of superhero characters. The original comic book was published in black-and-white and only 3,000 copies were printed, which, much to everyone's surprise, sold out right away. The concept originated from a comical drawing sketched out by Kevin Eastman during a casual evening of brainstorming with his friend Peter Laird. The drawing of a short, squat turtle wearing a mask with nunchakus strapped to its arms was incredibly funny to the young artists, as it played upon the inherent contradiction of a slow, cold-blooded reptile with the speed and agility of the Japanese martial arts. At Laird's suggestion, they created a team of four such turtles, each specializing in a different weapon. Eastman and Laird often cite the groundbreaking work of Frank Miller and Jack Kirby as their major artistic influences.

Using money from a tax refund together with a loan from Eastman's uncle, they formed Mirage Studios and self-published a single-issue comic book that would parody two of the most popular comics of the early 1980s: Marvel Comics' The New Mutants, which featured teenage mutants, and Daredevil, which featured ninja clans dueling for control of the New York City underworld.[1] In fact, many comics fans will recognize in the Turtles' origin several direct allusions to Daredevil: The traffic accident, involving a blind man and a truck carrying radioactive waste, is a reference to Daredevil's own origin story. The name "Splinter" is a parody on Daredevil's mentor, a man known as "Stick." The Foot, a clan of evil ninja who became the Turtles' arch-enemies, is a parody of the Hand, who were themselves a mysterious and deadly ninja clan in the pages of Daredevil.

And what has begun as a spoof turned out to be a phenomenon resulting in two sets of popular TV series (the first set which began in the 1980’s and the other one which began in 2003), a very popular toyline and merchandising, three live-action movies, and this new CGI-animated feature film.


In keeping with their parody of "grim 'n gritty" comics of the early 1980s, the Turtles engaged in a greater amount of overt violence in the pages of the early Mirage comic book series. As the TMNT were introduced into the mainstream, they were radically redesigned for a younger audience. This evolution incensed a core group of fans who had faithfully collected the independently-published comic series from its inception. They accused Eastman and Laird of selling out their indie roots in favor of corporate greed. In issue #19 of Eastman and Laird's Teenage Mutant Ninja Turtles, the creators published an editorial addressing these concerns. It stated, in part: "We've allowed the wacky side to happen, and enjoy it very much. All the while, though, we've kept the originals very much ours – forty pages of what we enjoy and want to see in our books, whether it comes from our own hands or from those of the talented people we work with."

SYNOPSIS
As the origin story goes (as based on the original comicbook), four pet turtles are exposed to a liquid mutagen during a traffic accident at which their young owner is a bystander. The mutagen causes animals to become more human-like in intelligence and dexterity. Also exposed to the mutagen is Splinter, a rat once owned by a ninjutsu expert named Hamato Yoshi. As a fantastically talented pet, Splinter taught himself the art of ninjutsu by mimicking Yoshi during his practice sessions. Yoshi emigrated from Japan to the United States in an effort to escape a bitter love triangle that resulted in the death of Oroku Nagi, a fellow member of his ninja clan. However, Yoshi was pursued and murdered by Nagi's younger brother, Oroku Saki, who grew to lead the American branch of the Foot Clan as the villainous Shredder. Yoshi's death leaves Splinter homeless, wandering the streets and sewers of New York City alone.

Splinter happens upon the Turtles, still fresh from their accident and wallowing in mutagen, and adopts them. Within days Splinter and the Turtles grow to humanoid size and develop the power of speech. It is then that Splinter decides to train the young Turtles in ninjutsu, so they can grow strong enough to exact revenge on the Shredder for the murder of Splinter's beloved Master Yoshi. Splinter chooses names for the Turtles from the pages of an old discarded book on Renaissance art: Leonardo, Donatello, Raphael, and Michelangelo. The Turtles challenge and defeat the Shredder and his Foot clan in a rooftop duel, as Shredder is knocked off the building and plunges to a fiery death in the blast of his own bomb.


In the new TMNT movie, the story follows that the Turtles have grown apart as a family. Donatello works as an information technology consultant. Michelangelo, in order to bring money in, has taken a job as a masked children's birthday party character (known as "Cowabunga Carl"). No one is sure what Raphael is up to, but it is revealed that he has been scouring the streets at night as a masked vigilante, the Nightwatcher, and Leonardo has become a pseudo-vigilante, pseudo-hermit who protects a village from oppressors.

Struggling to keep the family together, Splinter then realizes that strange things are starting to happen in New York, ones that include his sons. Leonardo eventually returns from Central America but the reunion has not been easy for Raphael and has created a strain in the sibling rivalry between the two. But they must keep themselves united as they found out about the strange occurrences in the city that include mysterious monsters, invincible warriors, and the return of the Foot Clan. With the help of Casey Jones and April O’Neil, they investigate and face the evils that threaten the city.

REVIEW
I have been so bored with the all-too-childish CGI animated movies made by Pixar and Walt Disney. The pseudo-environmental comedies and morals of animal cruelty have become over-supplied and stale. It was time for a CGI film that has some preach-free, fun-filled action on it. It was time for the Ninja Turtles to have a movie that would break the boredom of other CGI-animated movies.

Sure, they may not have the flawlessly impressive graphics of Pixar and Disney, but Imagi Animation Studios delivers the graphics of the movie perfectly. One may feel awkward adjusting with the first scenes that seemed like an intro of a video game. But once it gets into your system, you get mesmerized as the graphics progress with more impressive scenes. Never underestimate the fight scenes of this movie. it may be a CGI animated film that is crowded by, generally, children's fanbase, but the action scenes concerning the martial arts are impressive and really are based on serious martial arts moves.

The movie features voices of Laurence Fishburne as the narrator, Chris Evans as Casey Jones, Zhang Ziyi as Karai, Kevin Smith as the Diner, Patrick Stewart as Max Winters, and Sarah Michelle Gellar as April O’Neil. More importantly, the movie is marked as the last performance of the legendary Mako Iwamatsu as the voice of Splinter. The film is directed by Kevin Munroe who has done extensive animation work during the last decade including video games, television series, and original comic books. He has worked in developing both the writing and design of animated projects for companies such as Disney, Warner Bros., Cartoon Network, Fox Kids, The Jim Henson Company, Kids WB, Dark Horse Entertainment, IDW Publishing and Nickelodeon.

To the keen fanbase, they may notice that the movie recites dialogues that tap references from the first Ninja Turtles movie (the one from 1987) such as "Two minutes for high sticking!" said by Casey Jones, the same line also found in the first (1987) TMNT movie spoken by the same character, and the relationship between Raphael and Casey Jones is strongly consistent with the events in the first movie, which was the only movie (of the three live-action movies) that had the same gritty feel of the comicbook. Based on how bad the third and second movie (the one with Vanilla Ice) were, it seems pretty fair to say that this movie can easily ignore those two sequels and serves as in direct continuity with only the first movie.

TMNT has a great balance of dark aspects and kid-friendliness. Adults will love the grittiness and the action of the movie, but will also find well-placed "moral lessons" of sibling camaraderie and family values, in a non-cheesy manner. TMNT is thumbs-up family fun!

Thursday, March 08, 2007

Frank Miller's 300


THE GLORIOUS IMMORTALITY OF THE 300
By Reymundo Salao

300 is a film adaptation of Frank Miller's graphic novel of the same title which recounts and immortalizes one of the greatest battles in history, the Battle of Thermopylae in 480 B.C., in which 300 Spartans, led by its King Leonidas fought against invading Persian King Xerxes and his massive army of one million soldiers.

300’s epic tale has already been renowned, but Frank Miller intended the graphic novel to make this moment history greater, more immortal, and indeed the film does the same as it brings to life the world of how Frank Miller honors the valiance of the Spartans. Grounded on realism, tweaked by a sense of drama and modern action-film sensibilities, and faithful to Miller's ideas. The movie may not necessarily be historically accurate, but definitely faithful to the graphic novel. Miller was first inspired by the Spartans when he saw the film “300 Spartans” as a kid. By the time he gained his royal status in the comicbook industry by revolutionizing and rewriting the reputation of such characters like Batman, Daredevil, and Wolverine with such a mature and dark approach, he went on to do his research on the Spartans, even traveling to Greece itself to recreate the battle that boasted the reputation of the Spartans. Fast forward to the present, he is the executive producer who is now taking the recounts of history and creating an immortal mythology out of it.


The movie has a distinct cinematographic look and feel that takes you into the world of Frank Miller's 300. Everything has an accurate resemblance to the graphic novel, even done more artfully, as if the pages of the graphic novel itself translated into life reality. There are scenes that look like masterful paintings on canvass come to life. So much so that one can only embrace its full-blown beauty when one watches it in the movie theaters (It would certainly be a waste to watch it on a blurry pirated copy). The world of the 300 movie does not try to take you to an actual academically accurate take on this historical battle, no, it takes you into Miller's version of the Battle instead.

The director Zack Snyder employs basically a familiar style to how Robert Rodriguez and Quentin Tarantino approached the adaptation of Frank Miller's other creation, "SIN CITY" which is an outright direct interpretation of the source material, right up from the pages of the comic book and unto film, and we're talking scene-by-scene, color-by-color, tone-by-tone, dialogue-by-dialogue. But Snyder enhances the adaptation by adding relevant details that spice up the movie, from fighting sequence details, to additional villains, to complexities and depth of the storyline. Snyder also co-wrote the screenplay of this movie along with Kurt Johnstad, a screenplay that made the story more meaningful and more poetic. The narrative prose the movie has makes it more classic and timeless.


Zack Snyder may not have pioneered a unique style in this movie. He cannot claim his name on pioneering the visual "cinematographic comic book art-on-film" aspect of it and the employment of slow-motion and fast-motion action scenes, but he certainly uses all these styles with his own disciplined and flawlessly masterful use of such styles.

Gerard Butler's performance as Leonidas was suitable for a man who has the gutsy, unnatural courage, yet true to the virtues of love for country and for freedom. The impact of his powerful acting was suitable to portray such a heroic warrior-king. David Wenham, who's gained popularity as Faramir from Peter Jackson's Lord of the Rings trilogy, played the role of Dilios, a Spartan warrior and poet by heart, who was also the narrator of this tale. His narration provided a vehicle for such rich prose that this storyline has. Lena Headey's portrayal of Queen Gorgo clearly mirrored Leonidas' courage. While Leonidas fights on the battlefield, Gorgo fights on the arena of politics, a subplot not included in the original graphic novel.


Purists would sometimes complain and argue how comic/graphic novel film adaptations can be so mellowed-down for a generally "pop" crowd, and would tend to deviate from the source material just to conform to popular standards of non-violence and a relatively general patronage. This adaptation of Frank Miller's "300" was not only faithful; it was intensified with a deeper sense of maturity and darkness. It never shied away from the graphic violence of the comics; it even gave the violence gorier detail, making it closer to x-rated violence. Like many war epics, this one is indeed bloody violent. But because of its distinct cinematography, it sometimes blurs the violence into something surreal. Keen observers may, for instance, take note that many of the blood splatter scenes looks as if intentionally looked less realistic and more closer to how the blood splatters in the artworks of the graphic novel from which this movie is based on. This movie is more daring, and that's even an understatement, as it gives a darker storyline in terms of the ones that involve the character of Queen Gorgo, Leonidas' wife. Recaffeinated, a vivid espresso version of the original, this film adaptation is Madness (in a good way), but as the line from the movie goes. "Madness? ...This IS SPARTA!"

There is no conservative inhibitive filtering of the sexual content either, yet it was done in a tasteful artful manner, without the hint of a sense of pornographic malice. There are minor scenes of nudity and sexual content that isn’t in the source material to begin with, but it felt right to include those scenes in a full feature-length film adaptation.

300 has this Nietzsche-ish ubermensch atmosphere, similar to watching movies like “Conan the Barbarian” and “Rambo”. Heroes fearlessly facing insurmountable odds and laughing at it with a confidence that could sometimes be a kind of arrogance, because one is fighting for what is good and honorable. A war epic with a boombastic inspirational strength and bound to be an immortal classic, 300 is looking to become the year’s biggest motion picture event.


The man himself, Frank Miller, on the set of 300

Friday, March 02, 2007

Apocalypto


Mel Gibson's APOCALYPTO
By Reymundo Salao

Set in the Yucatán Peninsula (Mexico) before Spanish contact, APOCALYPTO depicts one man's experience during the decline of the ancient Mayan civilization. The story begins when a Yucatan tribe is nightmarishly ravaged by merciless warriors. After the scourge, its people are taken prisoner, and into the Mayan city, they are taken. For what reason? They would soon find out. In a radical twist of fortune, one of the tribesmen named Jaguar Paw escapes captivity and runs for his life into the woods, with bloodthirsty Mayan warriors on his tail.

The film is co-written (the other one is Farhad Safinia) and directed by Mel Gibson. if you are familiar with the directorial works (and even the ones where he was just an actor) of Mel Gibson, you could see some detail trademarks that are familiar. One such detail is the scene where a villain slits the throat of a helpless important character. Such a scene can be seen in Gibson's Braveheart. A similar style of sadistic killing of a character close to the protagonist can be observed in Gibson’s movies where he starred in. Gibson seems to always have a secondary main villain who is designed so that the audiences will really hate him. This is similar to Braveheart and also something he probably picked up from his Mad Max movies. Apocalypto has many elements that connect love, loss, and vindication, all elements he used in a similar manner in Braveheart. His use of scenes of sheer harmony and peace to be disturbed by a stark contrast of violence, as a tool for strong drama, similarly (also) in Braveheart and Passion of the Christ can be noticed.


The scoring, cinematography, and set design magnificently complement each other. It can be noticed that this film was shot in high definition, the colors are vivid, and the motions are lifelike. Each fragment of film can effectively tell of its haunting theme.

This film is very violent and bloody. Audiences must be wary of the adult content of this movie. The scenes of gore are, at many times, graphic. Same can be said about the tone of the climactic parts of the movie, grim and heavy on emotion. It should be noted that the dialogue for this movie is in the Yucatan dialect, as it aims for authenticity in production.


While Apocalypto may be a perfect educational tool for anthropology class, it works great as an action thriller. I thought the movie would be somewhat of a "national geographic" kind of treatment that there would be a danger of it being boring. But I was wrong, Mel Gibson let's us see a portion of Mayan history filled with gripping suspense, thrill and sheer horror. It also contains interesting dialogues including one which has a very environmental tone, and philosophical as well. The movie is partially intended as a political allegory about civilizations in decline. Said Gibson in September of 2006: "The precursors to a civilization that’s going under are the same, time and time again... "This is shown most literally though the opening quote by Will Durant and the last line by one character,"...seek a new beginning.


I was glad that this movie is in extended run. Viscerally rich with all aspects of emotion from beauty to utter fear, APOCALYPTO is a movie so stimulating it continuously interests you till the end.

Thursday, March 01, 2007

The Good Shepherd


THE GOOD SHEPHERD: The Grim Dark Side of Espionage
by Reymundo Salao

Coming from a distinguished family, Edward Wilson began as a member of the Skull and Bones Society at Yale, where future world leaders converge. Brilliant and secretive, his scruples land him at the Office of Strategic Services, the CIA's precursor, and actually helps found the Central Intelligence Agency. But his idealism gradually gives way to suspicion, borne by Cold War paranoia. While he becomes a veteran agent, his lack of trust on everyone grows and grows, even as he is willing to put everything on the line--even his family life--for an all-consuming job. Loosely based on real events, it is advertised as telling the untold story of the birth of counter-intelligence in the Central Intelligence Agency.

This espionage drama is directed by legendary actor Robert De Niro (which marks his third directorial work after “A Bronx Tale” and “The Score”) and boasts a surprisingly stellar cast that includes Matt Damon, Angelina Jolie, William Hurt, Alec Baldwin, John Turturro, and appearances by Joe Pesci, Michael Gambon, Timothy Hutton, Billy Crudup, and Robert De Niro. THE GOOD SHEPHERD enjoys much praise from critics but because of an apparent lack of marketing, it seems to have failed to create a hype that will draw the attention of audiences.

THE GOOD SHEPHERD is more of espionage drama than action. This is as realistic as it gets. And the spywork here is not your usual cloak & dagger thriller where spies run after each other exchanging silencer-filtered salvos of gunfire. In its place is a very solid human drama of people involved in such an inhuman business of intelligence and counter-intelligence. With that, this movie has been known as the “Godfather” of spy-movies.

As respectable as his acting career, De Niro delivers a remarkable product with this movie which he has directed. This movie proves that De Niro also has a stark talent in directing that is never mediocre or standardized. The flow and consistency of the storyline is smooth, and he also knows how to budget his scenes that involve long timelines. There are numerous scenes that are beautifully edited in order to establish an almost unnoticeable jump of time skips from one scene to another. In other words, a story that could have taken more than three or four hours to tell has been smartly edited to fit in 2 hours and 47 seconds.

Tuesday, February 27, 2007

The 2007 ACADEMY AWARDS


Best motion picture of the year
Babel
Letters from Iwo Jima
Little Miss Sunshine
The Queen
THE WINNER: The Departed

Performance by an actor in a leading role
Leonardo DiCaprio, Blood Diamond
Ryan Gosling, Half Nelson
Peter O’Toole, Venus
Will Smith, The Pursuit of Happyness
THE WINNER: Forest Whitaker, The Last King of Scotland

Performance by an actor in a supporting role
Jackie Earle Haley, Little Children
Djimon Hounsou, Blood Diamond
Eddie Murphy, Dreamgirls
Mark Wahlberg, The Departed
THE WINNER: Alan Arkin, Little Miss Sunshine

Original screenplay
Guillermo Arriaga, Babel
Iris Yamashita, Paul Haggis, Letters from Iwo Jima
Guillermo del Toro, Pan's Labyrinth
Peter Morgan, The Queen
THE WINNER: Michael Arndt, Little Miss Sunshine

Achievement in cinematography
The Black Dahlia
Children of Men
The Illusionist
The Prestige
THE WINNER: Pan’s Labyrinth

Visual Effects
Poseidon
Superman Returns
THE WINNER: Pirates of the Caribbean: Dead Man’s Chest

Achievement in costume design
Curse of the Golden Flower
The Devil Wears Prada
Dreamgirls
The Queen
THE WINNER: Marie Antoinette

Achievement in sound mixing
Apocalypto
Blood Diamond
Flags of our Fathers
Pirates of the Caribbean: Dead Man’s Chest
THE WINNER: Dreamgirls

Achievement in music written for motion pictures (Original song)
"Listen," Dreamgirls
"Love You I Do," Dreamgirls
"Our Town," Cars
"Patience," Dreamgirls
THE WINNER: "I Need to Wake Up," An Inconvenient Truth

Best animated feature film of the year
Cars
Monster House
THE WINNER: Happy Feet

Best documentary feature
Deliver Us from Evil
Iraq in Fragments
Jesus Camp
My Country, My Country
THE WINNER: An Inconvenient Truth

Best animated short film
Lifted
The Little Matchgirl
Maestro
No Time for Nuts
THE WINNER: The Danish Poet

Achievement in directing
Babel, Alejandro González Iñárritu
Letters from Iwo Jima, Clint Eastwood
The Queen, Stephen Frears
United 93, Paul Greengrass
THE WINNER: The Departed, Martin Scorsese

Performance by an actress in a leading role
Penélope Cruz, Volver
Judi Dench, Notes on a Scandal
Meryl Streep, The Devil Wears Prada
Kate Winslet, Little Children
THE WINNER: Helen Mirren, The Queen

Performance by an actress in a supporting role
Adriana Barraza, Babel
Cate Blanchett, Notes on a Scandal
Abigail Breslin, Little Miss Sunshine
Rinko Kikuchi, Babel
THE WINNER: Jennifer Hudson, Dreamgirls

Adapted screenplay
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
Children of Men
Little Children
Notes on a Scandal
THE WINNER: The Departed

Achievement in film editing
Babel
Blood Diamond
Children of Men
United 93
THE WINNER: The Departed

Achievement in art direction
Dreamgirls
The Good Shepherd
Pirates of the Caribbean: Dead Man's Chest
The Prestige
THE WINNER: Pan's Labyrinth

Achievement in makeup
Apocalypto
Click
THE WINNER: Pan's Labyrinth

Achievement in sound editing
Apocalypto
Blood Diamond
Flags of Our Fathers
Pirates of the Caribbean: Dead Man’s Chest
THE WINNER: Letters from Iwo Jima

Achievement in music written for motion pictures (Original score)
The Good German
Notes on a Scandal
Pan's Labyrinth
The Queen
THE WINNER: Babel

Best foreign language film of the year
After the Wedding
Days of Glory (Indigènes)
Pan's Labyrinth
Water
THE WINNER: The Lives of Others

Best documentary short subject
Recycled Life
Rehearsing a Dream
Two Hands
THE WINNER: The Blood of Yingzhou District

Best live action short film
Binta and the Great Idea (Binta Y La Gran Idea)
Éramos Pocos (One Too Many)
Helmer & Son
The Saviour
THE WINNER: West Bank Story

The 27th Annual Golden Raspberry Awards (The Razzies)


Along with the Academy Awards that honor the BEST in film, the GOLDEN RASPBERRY Awards honors THE WORST in film.

Worst Picture:
Basic Instinct 2
a.k.a.
Basically, It Stinks, Too
Sony/Columbia

Worst Actress:
Sharon Stone
Basically, It Stinks, Too

Worst Actor:
Marlon Wayans & Shawn Wayans
Little Man

Worst Supporting Actress:
Carmen Electra
Date Movie and Scary Movie 4

Worst Supporting Actor:
M. Night Shyamalan
Lady in the Water

Worst Director:
M. Night Shyamalan
Lady in the Water

Worst Screen Couple:
Shawn Wayans
& either
Kerry Washington
or
Marlon Wayans

Little Man

Worst Remake Or Rip-off:
Little Man
(Rip-off of the 1954 Bugs Bunny cartoon "Baby Buggy Bunny")

Worst Prequel or Sequel:
Basically, It Stinks, Too

Worst Screenplay:
Basically, It Stinks, Too
Screenplay by Leora Barish & Henry Bean, Based on Characters Created by Joe Ezsterhas

Worst Excuse for Family Entertainment:
(New Category, Saluting the Celebs We're ALL Sick & Tired Of!)
RV
(Sony/Columbia)

Awards Per Picture:

Basically, It Stinks, Too — 4 "Wins":
Worst Picture, Worst Actress, Worst Sequel, Worst Screenplay


Little Man — 3 "Wins":
Worst Actor, Worst Screen Couple and Worst Remake/Rip-Off


Lady in the Water — 2 "Wins":
Worst Supporting Actor and Worst Director

Wednesday, February 21, 2007

Screening Schedule this Week (02-21-07)


SM CITY CINEMA
Babel
11 AM, 1:30 PM, 4, 6:30, 9 PM
Arthur & the Invisibles
11:25 AM, 1:20 PM, 3:15, 5:10, 7:05, 9 PM
The Promise
10:35 AM, 12:40 PM, 2:45, 4:50, 6:55, 9 PM
GHOST RIDER
10:35 AM, 12:40 PM, 2:45, 4:50, 6:55, 9 PM
The Curse of the Golden Flower
10:35 AM, 12:40 PM, 2:45, 4:50, 6:55, 9 PM
The Messengers
11 AM, 12:40 PM, 2:20, 4, 5:40, 7:20, 9 PM

ROBINSONS MOVIEWORLD
GHOST RIDER
12:45 PM, 2:55, 5:05, 7:15 PM
The Promise
12:45 PM, 2:55, 5:05, 7:15 PM
Catch & Release
12:45 PM, 2:55, 5:05, 7:15 PM
Apocalypto
11:15 AM, 1:55 PM, 4:35, 7:15
The Messengers
1:15 PM, 3:15, 5:15, 7:15 PM
Arthur & the Invisibles
1:15 PM, 3:15, 5:15, 7:15 PM