Tuesday, December 27, 2005

MULAWIN the movie (2005)


A Festival of Flops, Part 1

MULAWIN the movie:
An Overwhelming Disappointment, An Utter Failure

by Reymundo Salao

After the suspenseful hype that the GMA network has been giving this film, and after the Film Reviews Board gave it an “A” grading, and considering the reputation that GMA Films have, I thought that MULAWIN the movie was going to change the way I look at MMFF (Metro Manila Film Festival) Fantasy movies the way “Encantadia” changed the way I look at Pinoy Fantaserye. I was wrong. MULAWIN was very VERY Awful. Do you know what this means? Only as far as my opinion is concerned, I can conclude that the Film Reviews Board are either really bad film critics (whose judgement of good film criticism is limited by films such as “Ang Pelukang Itim” or “Alamat Ng Lawin”) or they may be critics-for-rent (sure, you’ve got to be open-minded to the idea that Regal Films is rich enough to have critic friends too) Hello? Can’t you read through the lines? Mother Lily has been receiving awards for movies that cant even compete with a single episode of the X-Files! Sad to say that corruption is not only something related to the government but to the film industry as well.

Serving as an inconsistent sequel to the Mulawin TV series and also inconsistently tied up with the Encantadia TV series, The story of the movie begins in Encantadia during the war between the Sang’gres (the Encantadia terminology that refers to “royalty”) when the evil Pirena (Sunshine Dizon) led a raiding horde of Hathors (orc-like evil armies) to seize the Gintong Binhi (Golden Grain) which she then used to resurrect Ravenum (Michael De Lesa), the evil lord of the Ravenas (Evil Mulawins), who massacred the Mulawins, and held their elder leader, Dakila captive. Meanwhile, Mulawin warriors Aguiluz (Richard Gutierrez) and Alwina (Angel Locsin), who has lived their lives as normal humans have both had amnesia and they were retrieved by the surviving Mulawins, and made them remember who they are in order to go to war with the Ravenas and battle the evil Ravenum.

I thought Richard Guttierez's "Chuck Norris" brand of bad acting was going to be the only thing bad about this movie. But it was the whole package in its entirety that was oozing in what appears to be a perfect disappointment.

The SPECIAL EFFECTS

One of the major flaws of this movie is that it suffers from its miserable special effects.

The special effect of flying alone takes a good amount of rendering, not only in terms of tools and technology, but in terms of handling the special effects that should be uniformed with an actor’s interpretation of a flying scene. It's tricky enough to make a person fly, but to create a scene where a person would have wings that would flap and make that person fly, is an Herculean task for a CGI artist. In some cases, the rendering of the special effects may be satisfactory, but with the actor not acting with bodily movements that are uniformed with the special effects rendered, the scene just doesn’t totally work. In the long run, it's best not to venture into such a scene than to force yourself into making one that will only look bad.

MULAWIN is just not a feasible project considering the limitations that CG animators might have. It's possible for the combined forces of GMA Films and Regal to recreate a BRAVEHEART-type production. It’s possible for them to even re-create a CHRONICLES OF RIDDICK-type production. But to create a move wherein you had to make special effects shots for more than just two flying-Mulawin scenes is a task that is very very far from being possible without making it look utterly ridicuous.

The SET DESIGN

Oh NO... it's the same Tagalog-movie flaw. Everything looks too polished-up clean and ultra-colorful. When we see the interior designs of the Encantadia castle, the drapes and the curtains look like they were fresh off the props department tailors. When George Lucas made STARWARS, he wanted the props too look worn-out and used, because it adds to the realism. Most of the bad Tagalog movies like this one does the opposite and requires everything to look like it was fresh off the factory.

I have loved the Encantadia set in the television series. It may be the same set used in this movie but this time, the set looks intentionally “floralled-up” and made to look three times as colorful as it usually is. Instead of making the set a bit monochromatic as to make the sets look genuine, the set of this movie just explodes with vibrant colors that you know everything is fake. The walls that may have made to look real, now looks like it was plywood that glistens with the paint it hides in.

The COSTUMES & MAKE-UP

EGAD! One Hathor (villain/orclike) warrior was wearing a striped white and purple shirt underneath his Hathor helmet and upper armor. And it was obvious! I guess they have ukay-ukay shops in Encantadia! There was also another scene in the climax where I see another Hathor warrior wear the typical white shirt underneath the Hathor armor!

Richard Guttierez had THICKER make-up than Angel Locsin. That was just plain stupid. You’ve just been to battle, and you have lipstick lipstick and make-up?

Michael De Mesa's character has a good make-up whose flaws can only be seen up close. In his acting of the role, he likes to spice his performance by sticking out his toungue out whenever he laughs. Did the make-up department have the lame error of disregarding this little aspect? Or should Michael De Mesa have just minimized his sticking out his toungue and by just eating some red or green candy to "improve" this little error? Or maybe the evil Ravenas just have a good supply of mouthwash and oral hygiene products?

The MUSIC

What happened to the instrumental soundtracks that we hear in Mulawin and Encantadia? Where was the supposed-award winning musical directors that GMA brags about? Did the Regal films team take-over this department? Because the music in this movie certainly sounds like the same synthesizer-generated sounds of the typical Regal action-adventure flops that have stank the local movie industry for decades now.

It seems that Regal Films never made way for NEW music wizards and instead enlisted the aid of their own musical directors. I bet that my guess is right on the money.

The ACTING

Everytime Richard is made to act like he is staring with love in his eyes, it's a cheesy long stare that reminds you of Shampoo commercials, and he does it with a ridiculous smile and long pause as if waiting for the director's cue to tell him when to stop. This movie only proves that Richard Gutierrez doesn’t know how to improv. He’s the best example of a bad actor that just made it into lead roles because of the long standing nepotism in the film industry. From the Poes, to the Quizons, to the Sottos, to the Revillas, to the Gutierrezes.

His father Eddie Gutierez seems stoned in his role as Dakila. Always seemingly oblivious and very un-reactive to the scenes and the pace of the storyline. And despite his being a main character in the series, his participation in this movie makes him look like less of an extra. Completely unoriginal and lame, Michael De Mesa as the villain has a performance the same way most villains in typical (overrated) Tagalog movies do: they just recite their lines and laugh & sneer in a cliche villainlike manner.

It was refreshing to see Angel Locsin employ a different more rabid style of fighting apart from her fighting style in Darna, but film editor and director, don’t you know when to edit or cut the ones where Angel looks like a thin leghorn on shabu?

The storyline and DIRECTION

No wonder MULAWIN the movie was awful; it was directed by Dominic Zapata, the same director who along with Eric Quizon directed the overrated TV series DARNA, which, despite the masa hype it generates, is a virtual ridiculous disaster. Similarly, Zapata seems to direct MULAWIN Nowhere. And nowhere is reflective of its script. There's an emphasis to the term "SUGO" (there's more than one scene where some character would tell Richard Guttierez "Ikaw ang SUGO")(chosen one) in this movie which may sound a bit silly considering Richard has another TV series entitled SUGO where Richard is also repetitively called upon as the SUGO.

The storyline of the movie is not completely faithful to the continuity of the Mulawin and Encantadia series. But at the same time, it draws upon many instances wherein the storyline requires one to have been familiar with what has transpired in the TV series. In one (supposedly suspenseful revelation) scene, Pirena reveals that she was able to know the secrets of the heroes using Imaw's tungkod (staff) but the movie doesn’t even care to explain who Imaw is and what the staff can do.

There is also one scene where Gabriel (Dennis Trillo) acts out in pain as if he is about to transform into something (like maybe a werewolf) but he doesn’t. There's no explanation why is this so, what he was bound to transform into, and if he was indeed responsible for being a traitor. It was just pointless. We don’t even know if he survived the climactic battle or not. It's all just pointless. There is even no character development as we are just thrusted into scenes where we find out that everybody knew all along that Aguiluz and Ravenum are father and son.

The pointlessness goes on. There's one scene where Ybarro (a character from Encantadia) just appears out of nowhere fighting alongside the Mulawins. There is no progression or proper introduction of characters. Many of them just appear just for the sake of a pointless happy appearance (which seems to have become an MMFF tradition among the ugly movies).

Bad direction also refers to things that are opposite from common sense. The swords of heroes like Ybarro and Aquiluz have obviously killed not less than five villains, but after that we still see their swords glistening in cleanliness. As the climactic battle ensues, Pirena just disappears without even leaving a note. Did she intentionally flee from battle? Did she need to go to the bathroom? She's the second main villain and we just assume her absence in the end? In the main battle in the beginning of the story, the fighting never makes sense. The Hathors pause their fighting to give way for a dialogue between Pirena and her sisters. Because this is a motion picture, I would assume that the fighting sequences would improve from the television standards. It did not. It was even diminished, thanks to the improperly ambitious move of making special effects shots out of the sword duels. Those shots were clumsily fast, technically obvious, and cinematically awkward that the scene ends up as pointless garbage. The shots were too close to the actors that we never really see them have a duel, and whose fighting-face acting is unconvincing.

I dread upon the conclusion that MULAWIN the movie only destroys the reputation of the Encantadia series. And gives a damning demerit to GMA’s track record in making seriously fantasy TV series. GMA Films was presented with the grand opportunity to change the face of Philippine cinema in terms of action-adventure fantasy movies. They failed it by resorting to the old standards. MULAWIN the Movie is a Disappointment and a Failure.

Sunday, December 25, 2005

Screening Schedules This Week (12-25-05)

ROBINSONS MOVIEWORLD
Kutob
10:35 AM, 12:45 PM, 2:55, 5:05, 7:15 PM
Shake, Rattle, & Roll 2k5
10:35 AM, 12:45 PM, 2:55, 5:05, 7:15 PM
Exodus: Tales from the Enchanted Kingdom
10:35 AM, 12:45 PM, 2:55, 5:05, 7:15 PM
Ako Legal Wife: Mano Po 4?!
10:35 AM, 12:45 PM, 2:55, 5:05, 7:15 PM
Enteng Kabisote 2: Okay Ka Fairy Ko...The Legend Continues!
10:35 AM, 12:45 PM, 2:55, 5:05, 7:15 PM
Mulawin the Movie
10:35 AM, 12:45 PM, 2:55, 5:05, 7:15 PM

SM CITY CINEMA
Exodus: Tales from the Enchanted Kingdom
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Shake, Rattle, & Roll 2k5
11 AM, 1 PM, 3, 5, 7, 9 PM
Kutob
11:25 AM, 1:20 PM, 3:15, 5:10, 7:05, 9 PM
Terrorist Hunter
11 AM, 1 PM, 3, 5, 7, 9 PM
MULAWIN
10:35 AM, 12:40 PM, 2:45, 4:50, 6:55, 9 PM
KING KONG
11:15 AM, 2:30 PM, 5:45, 9 PM
Ako Legal Wife: Mano Po 4?!
11 AM, 1 PM, 3, 5, 7, 9 PM

Friday, December 23, 2005

The Same Lousy Film Festival (Junkie Article)

Mother Lily. I think of her as the Overlord Nayun of the Dirty Tagalog-Movie piglets. The reason why Tagalog movies have a sucky reputation.

A Pre-MMFF Commentary

By Reymundo Salao

MMFF 2005. Will it be tasting the same kind of garbage? A couple of months after last year's Metro Manila Film Festival, there was an announcement that the next festival will be featuring independent filmmakers. I was really filled with optimism for the upcoming MMFF, because such a move shows a sign that film appreciation in Manila would move a step forward. There are so many independent filmmakers out there waiting to be tapped with attention and honor. So many artists out there whose works deserve the spotlight. That optimism of mine was only up until I discovered that the entries for this year's festival seem to be infested with the same filmmakers, producers, and same kind of projects that have defined the local film industry as mediocre. The same names, the same production companies, and even the rebirth of an old awful film franchise.

After the uneven continuity of the MANO PO franchise, the utterly un-original SO HAPPY TOGETHER, and the pretentious AISHTE IMASU, do we need Joel Lamangan to direct two more MMFF movies for this year? MANO PO 4: AKO LEGAL WIFE is another incongruent sequel of the MANO PO franchise. One that is utterly corny and cheesy from the trailers alone. The storyline is supposed to be a satire of relationships but the acting is inappropriately cartoonish and awful. We have the same flaws of the previous MANO PO movies: pretentiously bad Chinese accents and exaggerated costume designs, to the extent that it looks like setting up props for a High School play. The brand of humor is reminiscent of the Matutina days, in which I believe, Matutina can do better. Lamangan is also directing BLUE MOON which is another ambitious period piece. I am suspicious that I might see the same flaws that I got from his work in AISHTE IMAS: Insincere acting, and everybody uniformly wearing costumes that looked too fresh off the production company wardrobe department.

Another one on the director’s chair which is again an MMFF director is Jose Javier Reyes, whose works may have a bit of decency, but ultimately unoriginal, unconvincing, and chronically mediocre. His entry last year “SPIRIT OF THE GLASS” was boring and crammed with the same garbage daytime television is made of. I have yet to see a Jose Javier Reyes movie which would have some speck of originality.

In an obvious and pathetic effort of jumping on the Asian horror trend unoriginal move, they are now reviving the horror series SHAKE RATTLE & ROLL. The first SR&T movie may have become a local instant horror classic. But all its sequels are mere commercial works of cinema. The kind that is made, without any essence of heart, art, and originality. But just a big fat effort of inducing money-generating popstar hype. Good horror movies are made of good storylines, convincing acting, and frightful scares. Just like the deservingly award-winning “SIGAW” by Yam Laranas. The SR&T sequels have all lacked in all those aspects. If the producers of SR&T have indeed thought of new refreshing stories and concepts in the horror genre, then it would not have been a Shake, Rattle & Roll sequel.

Lo & Behold! One of our SENATORS!
We also have Bong Revilla movies which are all works that are a waste of good production resources. Up from the time he produced DUGO NG PANDAY, Bong's movies have been expensive, ambitious and in the long run; ugly. The track record of Bong's produced movies have been works that seem to feed his obvious leading-star narcissism. Bong is a bad action star, not only because he is physically ridiculous for the roles he takes on, but his style of acting attempts to be desperately charming and his on-screen action-hero roars are like the barkings of a fat-headed peacock. If I’m wrong about him; well at least you will have an idea how a spoiled narcissistic brat would look like if he ran a production company. It's like the combination of an awful-version Bruckheimer & Tom Cruise (Jerry Bruckheimer is known for splurging on big films with low quality while Tom Cruise is known for producing films that also feed his narcissism, so much so that he ruined the MISSION IMPOSSIBLE franchise). It’s obvious that this new film (with the overblowingly corny title) EXODUS: TALES FROM THE ENCHANTED KINGDOM is another film that obviously carves up an action-hero throne for himself, the Senator who seems to be in love with his own image.

Side-by-side Bong in his narcissism is Vic Sotto with his once-upon-a-time popular television series OKAY KA FAIRY KO, in which its continuity has now gone out the window by reconstructing the storyline with his ENTENG KABISOTE movies which are a confusing sequel to “Okay Ka…” Childishly an eye candy, his film is a hindrance to opening some breathing room for new film-makers.

I am disgusted because I want the local film industry to gain some progress in terms of quality, integrity, and reputation. No wonder the local film industry is not moving forward. These same people who run things in their own obsessively capitalistic way still run it.

Hey, it’s Christmas! Just forget about my hostile comments for a while and let me sincerely greet you a MAAYO KAG MASADYA NA PASKWA!

Wednesday, December 21, 2005

Ghost Rider will have to wait till 2007 (Junkie Hype News)


Sony Pictures' $120 million Nicolas Cage-starrer Ghost Rider, based on the Marvel comic book, has been bumped from its July 14, 2006, release date to President's Day weekend (Feb. 16) 2007.

Source: Superhero Hype Website

Now Showing this Week (12-21-05)

Yes, folks, by some DUMB Reason, what seems to be LAST WEEK'S Movie Schedules HAVE NOT changed. AND they're still showing the same thing! Okay, it's okay to extend King Kong's run, but is it necessary to show it on ALL FOUR theaters???!!!! Geez! Whatever.... here's the schedule. the SAME FReaKiN Sked...

ROBINSONS MOVIEWORLD
KING KONG
10:45 AM, 2:15 PM, 5:45, 9:15 PM
The Fog
1:15 PM, 3:15, 5:15, 7:15 PM
Just Like Heaven
1:45 PM, 3:15, 5:15, 7:15 PM
The Myth
11:45 AM, 2:15 PM, 4:45, 7:15 PM
KING KONG
12:15 PM, 3:45, 7:15 PM

SM CITY CINEMA
Just Like Heaven
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
KING KONG
11:25 AM, 2:50 PM, 6:15 PM
KING KONG
10:45 AM, 2:10 PM, 5:35, 9 PM
KING KONG
12:05 PM, 3:30 PM, 6:55 PM
KING KONG
10:05 AM, 1:30, 4:55, 8:20 PM
The Fog
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Ang Pagdadalaga ni Maximo Oliveros
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM

Wednesday, December 14, 2005

KING KONG (2005)


KING KONG: TRULY COLOSSAL
By Reymundo Salao

Briefly after the release of the Lord of the Rings’ third movie chapter Return of the King (which swept the Academy Awards in 2004), Peter Jackson was so eager to announce that his next movie was going to be King Kong. It seems that with such an enthusiasm come confidence, and the suspicion that he may have all dreamed of making this project for a long time now. Which is true, because Peter Jackson originally wanted to make this film immediately after he made “The Frighteners” (1996). When the rights got tied up, he moved on to The Lord of the Rings. Now, it may be safe to say that he’s having his dream project fulfilled.

The story of KING KONG is set on 1933, a time of great depression in the United States when poverty was widespread. Stage actress and entertainer Ann Darrow (played by Naomi Watts) was struggling to find a decent job when she meets and is hired by Carl Denham (Jack Black), a film director-producer who is relentlessly pursuing his plan to film a “masterpiece movie”. In his obsession to finish his film, he flees along with his new actress, his assistant Preston (Colin Hanks), who oftentimes acts as his ignored moral conscience, then there is his self-obsessed, narcissistic lead actor Bruce Baxter (Kyle Chandler), his film crew, his writer Jack Driscoll (Adrien Brody), and the courageous crew of the ship that sails out into a mysterious unchartered island known as the “Skull Island” where no one dares go to. But that is where Carl wants to shoot his movie. Clearly unbeknownst to them is the horror that awaits for them in the island.

It was an excellent idea for Jackson to set this film in the 1930’s which may serve as a direct homage to the first original Kong movie which was also made in 1933. By capturing the original essence of the first film, with its lavish designs in costumes, vehicles, and set structures, it extinguishes any mundane factors the film may have, and ensures a great adaptation that is fitting of its setting.


KING KONG is more than just a monster movie. Underneath its colossal figure, are subliminal themes about the morals of the entertainment business as embodied by the subplot of Carl Denham, the concept of courage as portrayed by the crewmembers of the ship, and the nature of love as portrayed by Kong and the blond actress he falls in love with. The movie starts out with conversational scenes that give us a close look at our characters, before all the eye candy begins. Just as the film calms down, it then jackhammers you into a mixture of horror, action and adventure. By the time we all set foot on the island, sheer cinematic mayhem commences. You have creepy tribes, dinosaurs, and giant bugs. And of course, King Kong.

Was the entire marvel due because of the CGI? No, the excellence of this film does not even rely much on the special effects. If you rate the special effects of this film compared to many sci-fi films that have come out lately, King Kong’s effects were just even a little above satisfactory. It was actually how Peter Jackson’s production team made it work. How he manipulated each and every sequence to blend into some perfect harmony that evokes scenes of sheer breath-taking action. Each and every scene where the monster-star King Kong is seen is not just a fantastic work of cinematic art, this film makes you forget that and lets you focus on the character; what is Kong doing? Why is he doing it? You abandon the consciousness that he is made up of pixels and you truly become curious of this creature, whose story is being told right before your eyes.

It was quite interesting to note that KING KONG’s relationship with Ann seems to be a symbolic representation of each and every boy-meets-girl love story. Kong falls in love with what he sees, but Ann shows contempt for him to the point that Kong is finally infuriated. But Kong does not inflict any more harm upon her, so what does he do? He lashes out unto the rocks, throwing large chunks of them around. Just like the typical male whose temper is oftentimes childish and is most usually tried by the woman he loves. Many sequences like this may mirror the romance boys and girls have. Halfway through the film, you give up the idea that this is a monster movie, and start to think of it as actually an unusual but wonderful love story between Ann and this giant ape.

Andy Serkis (who is well known for being the voice and motion template for the creation of Gollum from Peter Jackson’s Lord of the Rings movies) served as the motion template for the CGI Kong. Basically, the special effects team creates Kong’s motions based on how Andy Serkis moves and acts out the role of Kong. They attach sensors to Serkis’ body and in his face in order to make a digital puppetry that copies each and every acting motion of Serkis. From the body language to the facial expressions. To ensure that it is not just based on some actor’s interpretations, Serkis had to study the behavior of apes to prepare for the role. Serkis has now indeed joined the likes of Boris Karloff, Bela Lugosi, and Lon Chaney, as one of the greatest creature actors in film history. His work here makes you wish that the Academy Awards honor him this time.

Naomi Watts’ portrayal of a woman who has gained sympathy for his beastly captor was beautifully convincing. It was incredible how she could evoke some serious emotional interaction with the CGI-generated Kong. But it was a Jack Black’s performance that silently shined throughout the film, as he delivers an excellent portrayal of a somewhat funny obsessive character, but underneath the layers of his comedic charm is really a dark character whose intentions are twisted and wicked. He does this well up until the end, when his comedic appeal runs out and makes you realize that from the very start, his convictions really are wrong.

It was quite understandable why Jackson’s theatrical cut for this film is around three hours. He lets us in on the adventure first-hand. The storyline of KING KONG is also a step forward from the original 1930’s classic and the campy 1976 remake (which many critics have deemed to be a failure). This KING KONG is phenomenal! One of the films that wherein I was able to cringe in excitement, scream in thrills and cheer along with the audience. Surely a movie which can electrify the audience with its intensity. The last time I’ve felt this much audience interaction was when I watched the first Jurassic Park movie, and that was more than ten years ago already.

Peter Jackson succeeds in evoking sympathy from the audience unto his (and actor Andy Serkis’) interpretation of Kong. After his success in the Lord of the Rings saga, Jackson proves that he never fails to disappoint. Jackson comes out with a brand of greatness that is often associated with Steven Spielberg. A great film is one that entertains, is thought-provoking, and emotionally rich. KING KONG succeeds in all these aspects. This remake of KING KONG is indeed a masterpiece. It is cinematic excellence at its finest.

Now Showing this Week (12-14-05)

ROBINSONS MOVIEWORLD
KING KONG
10:45 AM, 2:15 PM, 5:45, 9:15 PM
The Fog
1:15 PM, 3:15, 5:15, 7:15 PM
Just Like Heaven
1:45 PM, 3:15, 5:15, 7:15 PM
The Myth
11:45 AM, 2:15 PM, 4:45, 7:15 PM
KING KONG
12:15 PM, 3:45, 7:15 PM

SM CITY CINEMA
Just Like Heaven
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
KING KONG
11:25 AM, 2:50 PM, 6:15 PM
KING KONG
10:45 AM, 2:10 PM, 5:35, 9 PM
KING KONG
12:05 PM, 3:30 PM, 6:55 PM
KING KONG
10:05 AM, 1:30, 4:55, 8:20 PM
The Fog
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Ang Pagdadalaga ni Maximo Oliveros
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM

Wednesday, December 07, 2005

Now Showing this Week (12-07-05)



ROBINSONS MOVIEWORLD
The Fog
1:15 PM, 3:15, 5:15, 7:15 PM
Domino
11:45 AM, 2:15 PM, 4:45, 7:15 PM
The Myth
11:45 AM, 2:15 PM, 4:45, 7:15 PM
Chicken Little
1:15 PM, 3:15, 5:15, 7:15 PM
Harry Potter and the Goblet of Fire
1:15 PM, 4:15, 7:15 PM

SM CITY CINEMA
Domino
12 PM, 2:15, 4:30, 6:45, 9 PM
The Myth
12 PM, 2:15, 4:30, 6:45, 9 PM
Ang Pagdadalaga ni Maximo Oliveros
11:50 AM, 1:40 PM. 3:30, 5:20, 7:10, 9 PM
Chicken Little
11:30 AM, 1:05 PM, 2:40, 4:15, 5:50, 7:25, 9 PM

Friday, December 02, 2005

FILM JUNKIE NOSTALGIA (Article)

By Reymundo Salao

I sometimes miss life during childhood when me and my brothers would just stay home, lie in bed, lazy around, play games with friends, and watch TV all day. Having grown in an urban neighborhood, television and home movies played a big role in my childhood. When I was in Elementary school, it was the Betamax which is the ancestor of the VHS cassette format that was the tool for children like us to behave, just sit back and enjoy the movies that made our childhood memories. I remember how we would rent the entire STAR WARS trilogy and just watch the damn three movies over and over again until it made a geek out of me, especially during the long Christmas holiday vacation, the STAR WARS trilogy has seemingly become our Christmas movies. I also remember the classic Jacky Chan movies like “Snake & the Eagle’s Shadow”, “Fearless Hyena”, and “Drunken Master” that defined the childhood of many kids my age back then. Much to a point that whenever kids at my school broke out into a fight, they would make Snake kung-fu or Dragon Kung-fu stances, instead of just clenching their fists. Many of the old classic Jacky Chan kung-fu flicks have been restored into VCD and DVD format, but some like “Drunken Master” have been re-dubbed or re-edited because some of its film stocks have been lost in time. I personally would prefer the original classic version with the silly dubbings though.

Aside from the occasional “Clash of the Titans” or “Rambo; First Blood part 2” there also was the Pinoy classic “Ang Panday” and its sequels. Back when I still liked Fernando Poe Jr. as an action hero, he was the blacksmith who fought the forces of evil and a sinister and taunting Max Alvarado as Lizardo. I am, however gravely disappointed with the current rehash of the “Panday” saga. Jericho Rosales may have been a great Panday, it is the overall production, from storyline to special effects, and even to the costume designs that, for me, makes the new “Panday” series such a failure. There also was the action fantasy which stars Michael De Mesa entitled “Salamangkero” which I have not seen since then. I guess there’s also another Pinoy flick lost in time. I still am searching for some of the classic Tito-Vic-&-Joey flicks like “Fly Me To The Moon” and “Super One-Two-Three” to add to my collection of film nostalgia.

Back in my childhood, television was so different. Long before the era of Cable TV, there was network TV that showed programs from Manila a week late. An episode of TODAS or PINOY THRILLER would only be shown an entire week late and not live via satellite. I remember how so much of a big deal live network telecast from Manila is: News Watch was a big deal. At the time, no Network TV channel could contest to the popularity of IBC Channel 12 back then. Not only was it popular because of its being the pioneer in giving coverage to our city’s Dinagyang Festival, it also was the TV channel that conveniently showed the coolest filler films, the best cartoon shows, and the classics from which many of us learned how to be film critics in our own right. From the “Killing Fields” to “Ten Commandments”, from “Sesame Street” to the tagalong-dubbed “Voltes Five”, Network TV was our day-today urban life home entertainment system. We always knew we had to turn off the Nintendo Family Computer if we knew that “Diehard” was being shown.

So much for reminiscing, now, the appreciation of films is something that can now be done with ease. Many of the film classics that were then considered to be “hard-to-find” can now be found in your nearest home video stores. Some of the HARDER-to-find ones can be found in the pirated video shops. These days, there’s also the internet that can easily guide one to research about their favorite films and filmmakers. One can easily search what are the other films of Akira Kurasawa or what Pinoy films have become popular internationally. It’s certainly interesting tracing our own little history of film appreciation.