Friday, July 29, 2005

Upcoming & Hot! (Junkie Hype News)

Well, here's some films that i'm pretty excited about; films that are upcoming this this year...coming very soon...and they're already sizzling HOT!


V for VENDETTA
In an alternate timeline where Germany won World War II and Great Britain is now a facist state, a masked vigilante known only as "V" conducts guerrilla warfare against the government. When he rescues a normal young woman (Portman), she joins his struggle against the forces of oppression.
Starring: Natalie Portman, Hugo Weaving, Stephen Fry, Rupert Graves, Stephen Rea
Directed by: James McTeigue
Produced by: Joel Silver, Andy Wachowski, Larry Wachowski
Release Date: November 4th, 2005


LAND OF THE DEAD
In a modern-day world where the walking dead roam an uninhabited wasteland, the living try to lead "normal" lives behind the walls of a fortified city. A new society has been built by a handful of enterprising, ruthless opportunists, who live in the towers of a skyscraper, high above the hard-scrabble existence on the streets below. But outside the city walls, an army of the dead is evolving. Inside, anarchy is on the rise. With the very survival of the city at stake, a group of hardened mercenaries is called into action to protect the living from an army of the dead.


KING KONG
While filming on location at the mysterious Skull Island (near Sumatra) a group of filmmakers discover a giant gorilla named Kong, living in a massive jungle where creatures from prehistoric times have been protected and hidden for millions of years. As they search for the great ape, their quest puts them up against both Kong and his dinosaur enemies. Ultimately, it is the attention of a beautiful human woman (Naomi Watts) that soothes Kong long enough for him to be subdued and shipped back to New York, where his bleak future involves being put on display in front of humans... but how long can even the mightiest shackles of man hold back an ape 25 feet tall?
Starring: Naomi Watts, Adrien Brody, Jack Black, Andy Serkis, Jamie Bell
Directed by: Peter Jackson
Release Date: December 14th, 2005

The NEW POLICE STORY & Herbie: Fully Loaded (info article)

Greetings, Film Junkies! I've had my hands full of so many activities and pseudo-projects lately, but not to worry, I'm still here with some researched info on the latest movies that opened up this week. Enjoy!


HERBIE: FULLY LOADED
The Love Bug is back! Herbie (AKA #53), the sweet little '63 Volkswagen bug with a mind of his own and a serious love for speed, pairs with Lindsay Lohan in HERBIE: FULLY LOADED for a sunny comedy. Maggie Peyton (Lohan) is a third generation member of a NASCAR racing family and dreams of winning from behind the wheel, but her protective dad Ray Peyton, Sr. nixes the idea, while her brother Ray, Jr. (Breckin Meyer) carries on the family legacy (even though he's not a very good driver). After graduating from college and securing a job at ESPN, Maggie has one month at home before leaving for New York City. When Ray Sr. offers her a car as a graduation gift, they visit a junk yard to pick out a used stock car and end up coming home with a thrilled Herbie. Maggie quickly discovers Herbie is more than just a regular car, and soon they're on their way to realizing her dreams of racing glory while battling ego-inflated champ Trip Murphy (Matt Dillon) with the help of her cute mechanic friend Kevin (Justin Long).

As Maggie, Lohan is spunky, determined, and adorable; young girls will love this inspirational character. Herbie himself is as winning as ever. The movie cleverly opens with highlights of Herbie's past exploits, going all the way back to his debut in 1969 in HERBIE THE LOVE BUG. Older fans of the series will delight in seeing Herbie back in action, while the newly initiated will easily see what makes this car so special. NASCAR devotees should look for cameos from drivers Dale Earnhardt Jr., Jamie McMurray, Casey Mears, Kevin Harvick, and Rusty Wallace. Fun, exhilarating, and touching, HERBIE: FULLY LOADED is the perfect family comedy.
Its screening schedule at Robinson's MovieWorld is 1:15 PM, 3:15, 5:15, 7:15 PM


THE NEW POLICE STORY
Inspector Wing (Jackie Chan) is the Hong Kong police's resident super cop. He's the best of he best, cracking every case he handles in record time. Fung (Nicholas Tse) is a rebel without a pause, a typically disaffected but street-smart Hong Kong youth who wastes his life in video game arcades. Talk is cheap, and no one talks cheaper than Fung. Due to his family's criminal background, it seems that Fung can never become a police officer, and follow in the footsteps of Wing, his all-time idol. Finally, Fung gets the chance to realize his goal of becoming a detective. He tricks Wing into joining forces with him on the trail of a truly vicious band of enemies: The Gang of Five!

This film was released in Hongkong last year and is yet to be released in the U.S. This is the newest installment in the long forgotten franchise of Jackie Chan's "Police Story" movies that were so popular in the 1980's. According to one report, Jackie Chan created New Police Story to showcase his dramatic abilities. It is his best serious performance to date, as I found even Heart of Dragon a bit melodramatic, and Crime Story somewhat generic. In New Police Story, Jackie Chan gets drunk (but not for drunken boxing), cries and even vomits in an alley.
Its screening schedule is 12:30 PM, 2:45, 5, 7:15, 9:15 PM

Friday, July 22, 2005

The ISLAND, & Monster-In-Law (info article)

This week, two cool movies have opened, there's the really funny MONSTER-IN-LAW which stars Jennifer Lopez and the comeback performance of actress Jane Fonda, the 1960's/70's superstar who's very popularly known for her role as the naughty spacechick "Barbarella". Then, there's the sci-fi, action-packed thriller THE ISLAND, which stars Obiwan himself, Ewan McGregor, and the lovely Scarlett Johansson whose best known for her work in Lost In Translation. This explosive eye-candy is directed Michael Bay, whose past works include The Rock, Armageddon, and Bad Boys. Here are some more infos and even trivia info on the films I got from my research.


THE ISLAND
Lincoln Six-Echo (McGregor) is a resident of a seemingly utopian but contained facility in the mid-21st century. Like all of the inhabitants of this carefully controlled environment, Lincoln hopes to be chosen to go to the "The Island"-reportedly the last uncontaminated spot on the planet-until he makes a terrible discovery that everything about his existence is a lie…and that he is actually more valuable dead than alive. Together with a beautiful fellow resident named Jordan Two-Delta (Johansson), Lincoln makes a daring escape to the outside world he's never known. Now, with the forces of the institute that once housed them relentlessly hunting them down, Lincoln and Jordan engage in a desperate race for their lives.

Michael Bay directed "The Island" from a screenplay by Caspian Tredwell-Owen and Alex Kurtzman & Roberto Orci, based on a story by Tredwell-Owen. Walter F. Parkes, Michael Bay and Ian Bryce produced the film, with Laurie MacDonald serving as executive producer.


MONSTER IN LAW
Charlie (Jennifer Lopez) is looking for a nice guy who will appreciate her, as well as her myriad of interests and jobs. From walking dogs to painting to designing clothes to answering phones at a doctor's office, Charlie does it all. Keith (Michael Vartan) seems to fit the bill as a perfect match for her: he's charming, handsome, a successful doctor, and he is completely smitten with her. And now, he has proposed and wants to marry her. There's just one problem: his mother, Viola (Jane Fonda), is a nightmare. A legendary television journalist who has an on-air breakdown after being replaced by a much younger woman, Viola virtually lives for Keith, especially now that her career is apparently over. She doesn't think Charlie is good enough for her son, and she plans to do everything she can to break them up.

Enlisting the help of her assistant, brutally honest Ruby (Wanda Sykes), Viola plots ways to drive Charlie crazy--and get her away from her son. She feigns illness, belittles her future daughter-in-law's jobs, and invites her son's old flame to visit at inopportune moments, among other things. But Viola underestimates Charlie, who isn't about to give up a happy future with Keith without a fight. Directed by Richard Luketic (LEGALLY BLONDE, WIN A DATE WITH TAD HAMILTON!), MONSTER-IN-LAW marks Fonda's return to the big screen following a 14-year absence. Elaine Stritch appears as Viola's own former monster-in-law.

Thursday, July 14, 2005

SIN CITY


Frank Miller's SIN CITY
A Poetry-In-Motion Crime Fiction
A Menacing Classic!
By Reymundo Salao
Just Another Film Junkie

Cops that are crooked and corrupt, street thugs that have hate and vengeance in their hearts, hookers that carry high-powered guns, politicians that torture the innocent, victims that stab their rescuers in the back, there's even a priest who cultivates violence. These are the kinds of people that belong to Sin City. SIN CITY is a collection of interweaving stories all based in the corrupt, crime-infested hellhole that is Basin City. Heavily influenced by film-noir, the main storylines concern a hulking brute called Marv (Mickey Rourke), who is seeking the murderer of a beautiful woman who was killed while asleep in bed with him; Dwight (Clive Owen) is a detective caught between a murdered cop Jackie Boy (Benicio Del Toro) and a slew of lethally dangerous vixens whose safeguarding their truce with the police force; and a soon-to-be-retiring policeman called Hartigan (Bruce Willis) who is incarcerated for a crime he didn't commit. Think of it as a darker, more action-based Pulp Fiction, that's why Tarantino is also "guest-directing" the film adaptation of it, along with its main director, his buddy, Robert Rodriguez (director of From Dusk Till Dawn, and the El Mariachi Trilogy: El Mariachi, Desperado, & Once Upon A Time In Mexico), and also directing is the writer himself, Frank Miller, which seals the assurance that the film will come as close to the comics series.

Frank Miller is probably the most respected comic book, graphic novel artist-writer, alongside Stan Lee. Miller has set the milestone for comicbook standards giving them a more adult, more mature appeal. This began when he came out in the 1980's with the Batman saga "Dark Knight Returns" (probably the best book in the DC Comics' history) which tells a Batman storyline told with an adult setting of gritty, bloody crime-infested Gotham and serious themes of vengeance, murder, and even insanity. He then made history when he took the helm of writing the self-titled "Wolverine" (probably the best book in the Marvel Comics' history) graphic novel, which has given depth to the character of X-men hero Wolverine, giving him a violent, but tragic history. He later created the character ELEKTRA from the pages of the DAREDEVIL series & also created a sci-fi samurai series RONIN. But it was his "Sin City" graphic novel that has established great success, making it THE ultimate adult crime noir comic series.


The adaptation is as literal as it can be; as the film is shot with the aid of CGI, to make the entire movie look exactly like how the scenes in the comicbook look; majority of it in black and white, with scenes where some colors are vividly exaggerated to enhance the artistic magnificence of the movie. It reminds you of classic film noir, even better. The action is gritty, relentless, mean, bloody and violently cool. It's NOT for the weak of heart. I bloody fu#%ing love it. With its vivid imagery also is the excellent dark panache of the script. Every dialogue is like a mean-streets-poetry. Just like the grotesque character Marv, played by Mickey Rourke, his role may that be of an outcasted, musclebound streetfreak, but his words, thoughts, and emotions on this film are filled with slang eloquence. Just listening to his narrations during the duration of the film is a satisfying film experience enough. It reminds us that Frank Miller is truly the Shakespeare of crime fiction.


Its ensemble cast include; Bruce Willis as the valiant old-guy cop Hartigan, Rosario Dawson is the fierce gang leader Gail , Elijah Wood is the mysterious Kevin (a role which will indeed make you forget about Frodo), Benicio Del Toro as the annoying and abusive Jackie Boy, Brittany Murphy as his girlfriend Shellie, Michael Clarke Duncan is the unsettling Manute, Josh Hartnett as the charming but deadly "the man", Jamie King is the angelic Goldie, Clive Owen is the heroic Dwight, Mickey Rourke is the grotesque Marv, Nick Stahl is the Yellow Bastard Roark, Jr., Michael Madsen as the treacherous Bob, Rutger Hauer as the Cardinal Roark, Devon Aoki as the katana and shuriken-armed Miho, and of course, the mega-sexy Jessica Alba as the alluring stripper Nancy Callahan. Also watch out for the man Frank Miller himself as the Priest. The cast and crew were burning hot with a superbly job well done.

I was grinning ear-to-ear as I watched this film. If you're tired with art films being such a boring snoozefest, this is one art film that will blow your teacher's mind. And your teacher says this film is garbage, I'm sure he/she has NO idea what art really is (zero.zilch.nada). I'm instantly christening this film as one of my personal "Best Films of 2005" along with "Batman Begins". SIN CITY is the kind of film nobody has ever experienced before. You simply should watch it to know what I'm talking about.

Wednesday, July 13, 2005

Screening Sked this week (July 13, 2005)

ROBINSONS MOVIEWORLD

Fantastic Four
12:30 PM, 2:45, 5, 7:15 PM
Creep
12:30 PM, 2:45, 5, 7:15 PM
War of the Worlds
12:30 PM, 2:45, 5, 7:15 PM
Sin City
12:30 PM, 2:45, 5, 7:15 PM

SM CITY CINEMA

The Hitchhiker's Guide to the Galaxy
11 AM, 1 PM. 3, 5, 7, 9 PM
War of the Worlds
11:40 AM, 2 PM, 4:20, 6:40, 9 PM
Sin City
12 PM, 2:15, 4:30, 6:45, 9 PM
A Lot Like Love
11:25 AM, 1:20 PM. 3:15, 5:10, 7:05, 9 PM
Fantastic Four
11 AM, 1 PM. 3, 5, 7, 9 PM
Creep
12:15 PM, 2, 3:45, 5:30, 7:15, 9 PM

Friday, July 08, 2005

Fantastic Four (2005)


FANTASTIC FOUR
By Reymundo Salao

In an outer space mission aboard a space station, scientist Reed Richards & his crew were engulfed by a storm of cosmic radiation. Its effects gave Reed Richards superhuman powers of stretchability, making him anatomically elastic. His companions also were affected by the radiation: Johnny Storm attained the ability to generate self combustion, making him a “Human Torch”, his sister Susan Storm attained the ability to become invisible, and Ben Grimm has mutated into the rocklike being called “The Thing”. With a stroke of fate, they have become heroes that use their powers to aid and rescue humankind, and together, they came to be known as “The Fantastic Four”.

FANTASTIC FOUR is based on Marvel's longest running comic book series, which has well-earned its moniker as "The Greatest Comic in the World." The "fantastic" phenomenon began 44 years ago, when Marvel Comics' publisher Martin Goodman, after playing a round of golf with an industry competitor, decided to move forward with an intriguing idea. Goodman shared it with the legendary comics writer Stan Lee.

"Martin said to me 'Why don't you create a team of superheroes?'" recalls Lee. "So, with Jack Kirby, we created the Fantastic Four and over four decades later it remains the jewel in the Marvel crown."

Lee wanted his superheroes to be real people without secret identities. "I wanted to create them as if they were real people living amongst us in the real world who just happened to have super powers," he says. "They are the first family of superheroes, four people who live and work together like a family. We hadn't seen a relationship like that in the comics prior to Fantastic Four and it made them very unique and very popular among the fans.
(source: rottentomatoes.com)


It has a more wholesome, family-friendly appeal. The original comicbook version is one of the lighter series, in terms of mood, in the Marvel Universe. Unlike Daredevil, Spiderman, The Incredible Hulk, & The Punisher which involves heavier subplots of death, loss, and tragedy, Fantastic 4 is the more livelier bunch.

With the revitalizing of the superhero formula, we thought we could expect what has become cliché in the genre, which is, heroes fighting lethal but theatrical looking bad guys. Superhero movies which focused more on the action genre. This is not necessarily much to the point of Fantastic Four.

One highlight which emphasizes its uniqueness apart from other superhero movies is the focus on the group's powers by showing them in an incredible rescue scene, reminiscent of the Reeve-era Superman movies where Superman's feats are not necessarily portrayed thru throwing punches at bad guys, but by helping people in times of calamities and man-made accidents. This proves the film’s kid-friendly aspect without disrupting the original essence of the comics. Fantastic Four works more on the fun comedic side of the superheroes, since it is one of the more lighter comic book titles anyway. The "family" & "teamwork" chemistry of the 4 main superhero characters is charming to watch & does make sense that in the end, when they’ve all patched up their differences and internal quarrels, that they should indeed be together as this great superhero team.


While the gem of the film is Jessica Alba, who’s spicy hot as “Invisible Girl” and a real sight-for-sore-eyes, the superstar of the movie is Michael Chiklis who played Ben Grimm, The Thing. It’s incredible to see the make-up effects made for this rock-rugged actor (who plays lead in the tough cop series “The Shield”) who still can carry his role as the mildly tormented, but nevertheless charming stone-hard hero. Ioan Gruffudd makes for a good geeky Reed Richards, Chris Evans as a cocky Johnny Storm, and Julian McMahon as the twisted Dr. Doom. Even the Marvel icon and godfather Stan Lee (who makes cameos on almost all of the Marvel comics adaptations) has a bigger role as the kindly old mailman Willy Lumpkin. The film was directed by Tim Story, who also directed comedies such as the American remake of “Taxi” and “Barbershop”

FANTASTIC FOUR should not be compared to the recent comicbook adaptations like Batman Begins & the X-Men saga, for its original concept was not meant to be dark and very serious like all these other series are. There are no deep philosophical or subpolitical plots that delve into the world of the Fantastic 4. It was meant to be very simple, (even, as its writer pointed out, ‘bubbly’) as it goes back to the feel of the original series. There is no murder factor in Fantastic Four. It’s campy but still faithful to the original. And what the audience should expect is more of fantastic superpower fun, as the story is filled with humor that livens up the movie all throughout. But those who crave for action may well be satisfied during the heroes’ battle with Dr. Doom, which was filled with amazing special effects and eyeball rolling stunts. The entire film is enjoyable, entertaining, & fun. Something that is for the whole family.

Screening Sked on Robinson’s Movieworld is 12:15 PM, 2:30, 4:45, 7, and 9:15 PM

Screening Schedules This Week (07-06-05)

ROBINSONS MOVIEWORLD

Fantastic Four
12:15 PM, 2:30, 4:45, 7, 9:15 PM
Premonition
1:15 PM, 3:15, 5:15, 7:15 PM
War of the Worlds
2:15 PM, 4:45, 7:15 PM
Fantastic Four
12:15 PM, 2:30, 4:45, 7, 9:15 PM

SM CITY CINEMA

Fantastic Four
11 AM, 1:15 PM. 3:30, 5:45, 8 PM
War of the Worlds
11:40 AM, 2 PM, 4:20, 6:40, 9 PM
Premonition
11:50 AM, 1:40 PM, 3:30, 5:20, 7:10, 9 PM
A Lot Like Love
11:25 AM, 1:20 PM. 3:15, 5:10, 7:05, 9 PM
Fantastic Four
12 PM, 2:15, 4:30, 6:45, 9 PM
Batman Begins
12:30 PM, 3:10, 5:50, 8:30 PM
Happily Ever After

Friday, July 01, 2005

War of the Worlds (2005)


Spielberg Lets Us Witness The
WAR OF THE WORLDS
By Reymundo Salao

WAR OF THE WORLDS is the grandfather of all alien invasion movies. Published in 1898, it is probably the first alien invasion literary work that has become the classic pioneer storyline from the mind of American science fiction genius H.G. Wells, from which all other alien invasion storylines followed. It is only fitting and perfect, that Steven Spielberg, one of the most revered master directors of the science fiction drama will be helming as the director of this masterpiece. And indeed, he does justice to the H.G. Wells classic, delivering a profound tale that is as good as the book itself.

(May contain spoilers)
The storyline is pretty simple: Aliens (Martians, as implied by the book) have sent their machines of destruction to exterminate mankind. Man's defenses are helpless against the weapons of the aliens. Cities fall and civilization is crumbling. What seems like mere luck, is actually an irony on the part of man, as the ones that defeated the aliens are the creatures that man has long been having war with.

Spielberg has brilliantly improved the storyline of the book to meet up with today's standards. Understandably, as the book was written a little more than a century ago, the standards for science fiction writing were still pretty simple, and adapting it into film in its purest & perfectly faithful form may only produce a very bland stereotype sci-fi film. So Spielberg had to make certain additions and slight improvements to the storyline, layering it with enough tension-drama and gripping suspense. But strictly, Spielberg never altered the core storyline, so as to maintain the fact that, although not page-by-page perfect, it still can be considered a faithful adaptation. In the book, the storyline is told from the point-of-view of one of the fleeing human survivors, his eyewitness accounts as he travels from the city, to the countryside, and the carnage, panic, and war that has gripped the planet. In the film, Spielberg injects it with a bit more tension as the main character, who is a simple laborer named Ray Ferrier (played by Tom Cruise), flees along with his daughter Rachel (Dakota Fanning), and son Robbie (Justin Chatwin). His eyewitness accounts are not much different from that of the book. But with Spielberg's adaptation, there is more stress and dramatic brilliance as it focuses more on the emotional level of the events that have occurred in the storyline. There is even one scene wherein the family comes across a crowd driven by panic forcibly trying to steal their car. It has become more of a suspenseful horror film because of its efficient manner of interpreting the terror that goes on in the movie. You can be infected by the same sense of dread in the storyline as mankind is helpless against the chaos brought forth by the alien invaders. This is so, because Spielberg has put up a main protagonist that all of us can relate with, a simple guy who wouldn't know where to begin in dealing with a situation like this. In comparison to the film INDEPENDENCE DAY (which also has also based its storyline from War of the Worlds), the main characters of that film include a pilot and a scientist, and with that, you can expect a sense of "action-film hope" that sooner or later, they'd have to find leverage against the horrific alien bad guys. But in this "War of the Worlds" movie, you have a simple family man, and his sense of hopelessness is contagious to the audience. It is only in the 80's and 90's that some alien invasion movies are regarded as action-adventures, this film takes us back to a time (1950's & 60's) when alien invasion movies are regarded as horror movies.

The film is set on the present day, so there is a tweaking of the storyline as instead of having the aliens coming into Earth as meteorites or flying objects, this adaptation establishes that the machines have been buried under the Earth way back before civilization and has planned the extermination for centuries already. On the other hand, with the design for the alien creatures and the alien machines, Spielberg has based it faithfully in the book, also combining it with the designs of the 1953 film version, giving homage to it. Also faithful to the book was the red fertilizer scene, which was creepily translated onscreen. Up to the end, (this one is for those who didn't "get" the ending) when the aliens gave in to death as they can nevermore survive the atmosphere of our planet for they have no antibodies to protect them from germs, as was narrated (by Morgan Freeman) in the epilogue, which closes down the end of the film.

Screenwriters Josh Friedman and David Koepp did a magnificent job with writing an excellent screenplay for this classic. Also immensely impressive is the acting prowess of child star Dakota Fanning who, in her young age can act very very convincingly. And of course, once again, Steven Spielberg who (as one article wrote) explores the dark side of his other alien movies, and indeed does justice to the iconic sci-fi classic War of the Worlds. If he once made you love aliens when he made E.T., this time he will make you hate the aliens to pieces. You can truly imagine the end of the world with this movie. Frightening and disturbing, the film is so excellent; it makes "Independence Day" look childish.